SKU: 46106759218

Mobilitätsassistenzhundetrainer Basic (18 Raten)

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Description

Mobilitätsassistenzhundetrainer Basic (18 Raten)Mchten Sie einen Neuanfang wagen und endlich das arbeiten, was Ihnen Spa macht? Diese Ausbildung zum Mobilittsassistenzhundetrainer ermglicht Ihnen zuknftig professionell als Mobilitsassistenzhundetrainer zu arbeiten! Option 4: Mobilittsassistenzhundetrainer In dieser Ausbildung zum Mobilittsassistenzhundetrainer spezialisieren Sie sich auf die Ausbildung von Assistenzhunden fr Menschen mit einer Krperbehinderung, dazu zhlen LpF Assistenzhunde und

 

Möchten Sie einen Neuanfang wagen und endlich das arbeiten, was Ihnen Spaß macht? Diese Ausbildung zum Mobilitätsassistenzhundetrainer ermöglicht Ihnen zukünftig professionell als Mobilitäsassistenzhundetrainer zu arbeiten!

 

Option 4: Mobilitätsassistenzhundetrainer

In dieser Ausbildung zum Mobilitätsassistenzhundetrainer spezialisieren Sie sich auf die Ausbildung von Assistenzhunden für Menschen mit einer Körperbehinderung, dazu zählen LpF-Assistenzhunde und Mobilitätshunde.

Sie erhalten 61 Lernhefte. Sie können an den Seminaren und Workshops zu Ethologie, Didaktik, Beratung, Pädagogik, Grundausbildung, Erste Hilfe am Hund, allgemeines Assistenzhundetraining, Ausbildung von Mobilitätsassistenzhunden und Fachkenntnissen für die Erkrankung Körperbehinderung teilnehmen.

Ihre Ausbildung dauert 15 Monate.

Mehr Informationen zu den Inhalten erhalten Sie auf unserer Webseite: https://www.assistenzhunde-zentrum.de/index.php/trainer-werden/assistenzhundetrainer

 

Wir wissen, dass gute Mobilitätsassistenzhundetrainer für die Selbst- und Fremdausbildung dringend gebraucht werden und Sie in dieser Ausbildung alles lernen, um genau dafür qualifiziert zu werden. Deshalb bieten wir Ihnen die Möglichkeit, diese Ausbildung 30 Tage lang ohne Risiko zu testen! 

Buchen Sie die Ausbildung Mobilitätsassistenzhundetrainer Basic und testen Sie die ersten Lektionen 30 Tage lang unverbindlich bei Ihnen zu Hause. Sagt Ihnen diese Ausbildung wider Erwarten doch nicht zu, so können Sie von unserer Geld-zurück-Garantie profitieren.

 

 

Die Bedingungen sind einfach und präzise :

  • 30 Tage lang testen, ohne Risiko.

  • Wenn Sie innerhalb der 30 Tage feststellen, dass diese Ausbildung nicht das Richtige für Sie ist, teilen Sie es uns kurz durch eine einfache E-Mail, einen Telefonanruf oder einen Brief mit und Sie können Ihre Teilnahme an der Ausbildung ohne Komplikationen beenden.

  • In jedem Fall erhalten Sie eine vollständige Rückerstattung.

 

Sie interessieren sich für die Basic Ausbildung zum Mobilitätsassistenzhundetrainer und haben hierzu noch Fragen? Scheuen Sie sich nicht uns anzusprechen - wir helfen Ihnen gerne!

Stellen Sie uns gerne alle Fragen zu einer Ausbildung zum Mobilitätsassistenzhundetrainer! Sie erreichen uns für eine persönliche Beratung 

per E-Mail an Jana Bosch: [email protected]

per Telefon an den Kundenservice: +49 (0)6131-2765688

Oder vereinbaren Sie mit uns einen persönlichen telefonischen Beratungstermin. Wir beantworten gerne unverbindlich jede Ihrer Fragen. Wir möchten, dass Sie zufrieden sind und eines Tages erfolgreich in Ihrem Traumberuf arbeiten können.

 

Ratenzahlung

 

Sie entscheiden sich für die Zahlung auf 18 Raten á 178 Euro. Dadurch bezahlen Sie den regulären Ausbildungspreis von 2799 Euro zzgl. einem Aufschlag von 405 Euro für die Ratenzahlung. Bitte überweisen Sie für die Ratenzahlung 18 Monate lang den Betrag von 178 Euro. 

Nach Ihrer Buchung erhalten Sie eine Ratenzahlungsvereinbarung.

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SKU: 46106759218

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4.0 ★★★★★
Based on 12 reviews
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D
Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Phoenix, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Los Angeles, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
New York, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Waukegan, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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