SKU: 86361144532

portrait von walter senserff direktor der kammer von rotterdam der ostindischen kompanie gewahlt 1731 jan maurits quinkhard

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portrait von walter senserff direktor der kammer von rotterdam der ostindischen kompanie gewahlt 1731 jan maurits quinkhardReproduktion Portrt von Walter Senserff, Direktor der Rotterdamer Kammer der Niederlndischen Ostindien Kompanie, gewhlt im Jahr 1731 Jan Maurits Quinkhard Fesselnde Einfhrung Im weiten Panorama der niederlndischen Barockmalerei hebt sich das Portrt von Walter Senserff, geschaffen von Jan Maurits Quinkhard, durch seine psychologische Tiefe und seine erzhlerische Flle hervor. Dieses Gemlde, ein Symbol seiner Zeit, verkrpert nicht nur eine einflussreiche

Reproduktion Porträt von Walter Senserff, Direktor der Rotterdamer Kammer der Niederländischen Ostindien-Kompanie, gewählt im Jahr 1731 – Jan Maurits Quinkhard – Fesselnde Einführung Im weiten Panorama der niederländischen Barockmalerei hebt sich das Porträt von Walter Senserff, geschaffen von Jan Maurits Quinkhard, durch seine psychologische Tiefe und seine erzählerische Fülle hervor. Dieses Gemälde, ein Symbol seiner Zeit, verkörpert nicht nur eine einflussreiche Persönlichkeit, sondern auch die Werte und Bestrebungen einer Gesellschaft im Aufschwung des Handels. Beim Betrachten dieses Werks wird der Zuschauer sofort in die Salons Rotterdams des 18. Jahrhunderts versetzt, wo Handel und Politik ineinanderfließen und die Zukunft einer maritimen Nation gestalten. Stil und Einzigartigkeit des Werks Der Stil von Quinkhard zeichnet sich durch eine außergewöhnliche Meisterschaft im Porträt aus, die Realismus und Idealisierung verbindet. In diesem Gemälde gelingt es ihm, die Essenz von Walter Senserff einzufangen, sowohl durch seine Züge als auch durch den Ausdruck seines Blicks. Das Licht, kunstvoll eingesetzt, hebt die Details des Gesichts und der Kleidung hervor und schafft ein Spiel aus Schatten und Licht, das der Figur eine fast skulpturale Dimension verleiht. Die reich strukturierten Drapierungen zeugen von handwerklicher Sorgfalt, während die subtil gewählte Farbpalette eine Atmosphäre evoziert, die sowohl feierlich als auch warmherzig ist. Dieses Porträt geht über eine einfache Darstellung hinaus; es erzählt eine Geschichte, die eines Mannes, dessen Schicksal eng mit jener Epoche verbunden ist. Der Künstler und sein Einfluss Jan Maurits Quinkhard, obwohl weniger bekannt als einige seiner Zeitgenossen, hat einen unauslöschlichen Eindruck in der Welt der Kunst hinterlassen. Ausgebildet im florierenden Umfeld der niederländischen Malerei, verstand er es, Tradition und Innovation zu verbinden, inspiriert von Meistern der Vergangenheit und gleichzeitig einen persönlichen Stil zu entwickeln. Seine Arbeit ist geprägt von einer besonderen Aufmerksamkeit für Details und der Fähigkeit, Emotionen durch den Blick seiner Subjekte zu vermitteln. Quinkhard spielte auch eine wichtige Rolle bei der Ausbildung zukünftiger Künstler und trug zur Verbreitung von Techniken und Stilen bei, die die niederländische Malerei weiterhin beeinflussen würden. Sein Porträt von Walter Senserff ist ein perfektes Beispiel für diese Synthese zwischen der...
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SKU: 86361144532

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4.8 ★★★★★
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Reckless Reader
Lowell, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
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Reviewed in the United States on January 22, 2010
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Michael Pointer
Lake Worth, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
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John Warren
West Palm Beach, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
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Reviewed in the United States on May 20, 2008
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Kim Burdick
Birmingham, US
★★★★★ 3
New York Burning
Format: Paperback
. This is an important book that explores in depth what is usually only found in textbooks as a one-sentence summation: "In 1741 there was a slave uprising in New York City." Scholars will probably be happier starting with the Appendix and bibliography and then reading the book. The text is disorganized and uneven, and although this is non-fiction, the characters could have been more finely drawn. Peter Zenger's trail keeps popping up in unexpected places, often disconnected from the action the author is working on. Some sections are heavy on primary documents and period writings, others are more poetic. Yes, I do understand the parallels with the Salem Witch Trials. The Salem Witch Trials get more press today because of Arthur Miller's "Crucible." Color and religion of the participants aside, both events are stories of group think and mass hysteria, fear and anger. There is plenty of room here for a first-class film or play to be written. Read this book, learn from it. Expect to complain about it. Kim Burdick Stanton, DE
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Reviewed in the United States on November 7, 2014
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Robert B. Tauber
Bozeman, US
★★★★★ 5
What You Didn't Know
Format: Paperback
Did you know that if you were a Catholic Priest on the streets of New York in 1747 that you'd be arrested and hung! Great book if you're interested in the times during which our founding Fathers were growing up. It'll give you a different concept on how slavery was different in NYC as opposed to in the South, and how many of the streets in NYC got there names from English magistrates. If you like history, especially of NYC, you'll love this book.
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Reviewed in the United States on January 24, 2015

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