SKU: 1004897238

YAMAHA C5000 PREAMPLIFIER

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Description

YAMAHA C5000 PREAMPLIFIERIn pursuit of the intangible musical quality that breathes life into high fidelity audio, the world's largest sound company presents the C 5000 pre amplifier. From the concert stage to the home, Yamaha has drawn on its vast musical history to create an instrument capable of faithfully reproducing every nuance and emotion in the performance. Perfectly balanced signal transmission Floating balanced pre amp Symmetrical, folding book circuit design Low

In pursuit of the intangible musical quality that breathes life into high-fidelity audio, the world's largest sound company presents the C-5000 pre-amplifier. From the concert stage to the home, Yamaha has drawn on its vast musical history to create an instrument capable of faithfully reproducing every nuance and emotion in the performance.

  • Perfectly balanced signal transmission
  • Floating balanced pre-amp
  • Symmetrical, folding-book circuit design
  • Low-impedance design
  • Rigid and precise design
  • Dual Toroidal Transformer

 

Stereo Amplifier / Receiver C-5000
Audio Specifications Input Terminal RCA:6 (PHONO, TUNER, CD, LINE 1, LINE 2 IN, EXT IN), BAL:4 (PHONO, BAL 1, BAL 2, EXT IN), TRIGGER IN: 1 (Slave mode), REMOTE IN:1
Output Terminal RCA:3 (LINE 2 OUT, LINE 1, LINE 2), BAL:1 (BAL), TRIGGER OUT: 2 (Master mode), REMOTE OUT:1
Rated Output Voltage [Input 200 mV, 20 Hz-20 kHz, 0.01% THD] (BAL BYPASS) 2 Vrms / 150 ohm, (BAL ATT) 1 Vrms / 150 ohm, (LINE 1 / LINE 2) 1 Vrms / 150 ohm), (LINE 2 RECOUT) 200 mVrms / 1.2 kohm
Maximum Output Voltage [1 kHz, 0.05% THD] (BAL) 6 Vrms, (LINE 1 / LINE 2) 3 Vrms, (LINE 2 RECOUT) 3Vrms
Input Sensitivity / Input Impedance [BAL / LINEOUT: 1 V] (BAL) 200 mVrms / 52 kohm, (LINE,etc) 200 mVrms / 47 kohm, [LINE 2 RECOUT, 150mV (1 kHz) ] (PHONO MC 300 ohms) 100 uVrms / 300 ohms, (PHONO MC 100 ohm) 100 uVrms / 100 ohms, (PHONO MC 30 ohm) 100 uVrms / 30 ohm, (PHONO MC 10 ohm) 100 uVrms / 10 ohm, (PHONO MM BAL(UNBAL)) 2.5 mVrms / 52 k(47 kohm), (EXT IN) 1 Vrms / 20 kohm
Maximum Input Signal Voltage [LINE2 REC (1kHz, 0.05% THD)] (BAL) 2.8 Vrms, (BAL ATT) 5.6 Vrms, (LINE,etc) 2.8 Vrms,(PHONO MC) 2 mVrms, (PHONO MM) 50 mVrms, ［BAL/LINEOUT (1kHz 0.05% THD)］(EXT IN) 5.6 Vrms
Frequency Response [JEITA, Load 22 kohm] (BAL/LINE, etc) +0 / -3 dB (10 Hz-100 kHz), +0 / -0.3 dB (20 Hz-20 kHz)
Total Harmonic Distortion Plus Noise [JEITA, Input: 0.5 V] 0.0100% (BAL [LINE, etc.] to BAL [LINE], 20 Hz-20 kHz), 0.0200% (MM / MC BAL [UNBAL] to LINE 2 RECOUT, 20 Hz-20 kHz)
Channnel Separation [JEITA, Input 1.0 kohm terminated, 1 kHz / 10 kHz] 110 dB or higher (BAL / LINE, etc.), 80 dB or higher (MC, BAL / UNBAL), 98 dB or higher (MM, BAL / UNBAL)
Function Separation [IHF-A network, Input 1.0 kohm terminated, JEITA] 110 dB or higher (BAL / LINE, etc.), 75 dB or higher (MC, BAL / UNBAL), 95 dB or higher (MM, BAL / UNBAL)
Signal-to-Noise Ratio [IHF-A network, Input 1.0 kohm terminated, JEITA] 110 dB or higher (BAL / LINE, etc.), 80 dB or higher (MC, 300 ohms, BAL / UNBAL), 98 dB or higher (MM, BAL / UNBAL)
Residual Noise [IHF-A network] 3 uV (BAL / LINE OUT)
Tone Control Characteristics (BASS) Boost / Cut [30 Hz] ±9 dB, Turnover Frequency 350 Hz, (TREBLE) Boost / Cut [20 Hz] ±9 dB, Turnover Frequency 3.5 kHz
Headphone Jack Rated Output Power 35 mW + 35 mW (CD, etc. [1 kHz, 32 ohm, 0.2% THD])
Deviations from RIAA Equalizer ±0.5 dB (MC / MM BAL [UNBAL])
Subsonic Filter 15 Hz: -3 dB (MC / MM BAL [UNBAL])
General Power Consumption 60 W
Standby Power Consumption 0.2 W
Power Management (Auto Power Standby) Yes
Dimension (W×H×D) 435 x 142 x 451 mm; 17-1/8” x 5-5/8” x 17-3/4”
Weight 19.1 kg; 42.11 lbs.

 

Features

Perfectly Balanced

Together with the GT-5000 turntable and M-5000 power amplifier, Yamaha delivers an end-to-end balanced signal chain across its flagship models for premier performance.

Floating and Balanced Pre-amplifier

The C-5000 features fully balanced and discrete circuit transmission across all stages of the signal path at Tone Defeat.

The patented floating design is adopted across the phono EQ, input amp and line amp stages - removing the influence of ground noise from the signal.

Symmetrical, Folding-book Circuit Design

The folding-book design for the pre-amplifier PCB mirrors the left and right signal paths for precise matching and layout.

With each channel physically identical, the C-5000 is capable of the most accurate reproduction of audio which is both wide and deep.

Further, the ground loop is minimised when other components are connected.

Dual Toroidal Transformers

Adopting independent dual toroidal transformers for the left and right channels delivers optimal separation and therefore producing a sound stage which is faithful to the original source.

Low magnetic leakage lowers adverse impact on the audio signal. Following detailed research based on trial listening, the power transformer was enclosed in a copper-plated case to suppress magnetic flux and vibration. This also assists in minimising the influence of flux in the phono circuit.

This realises a gentle, calm and even spacious sound due to enhanced reproduction of detailed signals.

Low-impedance Design

By copper-plating the chassis to minimise the influence of voltage on the circuit, the C-5000 is capable of expressing the subtlest nuances as well as powerful bass.

Additionally, thick screw-type wires are utilised to reduce the impedance of the power supply and maximises the transmission of musical information.

Original Design

The C-5000 was designed from the ground up to deliver the ultimate in listening experiences - down to its aesthetic and even its touch.

The knobs and lever switches feature original designs to communicate both innovation and craftsmanship.

The volume knob is both rigid and precise - employing ball-bearings and precision-cut aluminium to achieve its touch while the lever switches have also been refined for enhanced operation.

Custom-designed Feet

Every aspect of the C-5000 was carefully considered when designing this flagship model. Its construction exudes master craftsmanship and reflects an obsession with achieving the highest levels of performance.

The feet are no exception. Like the M-5000, the custom heavy-duty brass feet function either as fully supported spikes or with a scratch guard base for use on delicate surfaces.

 

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SKU: 1004897238

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4.6 ★★★★★
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C
Verified Purchase
C. Tucker
San Leandro, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Boise, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Whiting, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
D
Verified Purchase
db
New York, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
S
Verified Purchase
SteelBlue
Natrona Heights, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 2, 2005

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