1952 FERRARI 250S
1952 MILLE MIGLIA WINNER

1952 FERRARI 250S <br /> 1952 MILLE MIGLIA WINNERThe 1952 FERRARI 250S, designed by Giovanni Michelotti, was the first in the long lineage of Ferrari 250 road and race cars powered by the then present 3. 0 liter Colombo V12 engine. In 1952 the 250 S won the Mille Miglia and 12 Hours of Pescara. At the Le Mans, the same year, it clocked the fastest race lap time. The 250S evolved from the 225 S model and shared the same tubular steel Tuboscocca chassis with the same wheelbase and track dimensions. A

The 1952 FERRARI 250S, designed by Giovanni Michelotti, was the first in the long lineage of Ferrari 250 road and race cars powered by the then present 3.0-liter Colombo V12 engine. In 1952 the 250 S won the Mille Miglia and 12 Hours of Pescara. At the Le Mans, the same year, it clocked the fastest race lap time. The 250S evolved from the 225 S model and shared the same tubular steel ‘Tuboscocca’ chassis with the same wheelbase and track dimensions. A 3.0-liter Colombo V12 engine was added producing 169 kW/227 hp at 7500rpm. Only a single example serial no. 0156ET was ever produced! (drawn 28 Jul '20)

AUTHENTICITY : Each drawing is limited to 10 signed and numbered prints regardless of size and comes together with a certificate & 10SERIE 'medallion'

PAPER : Professionally ink printed onto 350gsm Hahnemühle Museum Etching paper to achieve the best color & light fastness.

FRAME :

Profile : A 14 x 34mm (0,55 x 1.33inch) beveled profile made from Obeche (African Maple) which is depended upon for its stability and relative resistance to warping once machined. It is offered in either color black, white or our exotic African hardwood 'Kiaat'.

GLASS :

'UV Glass' is 'non-reflective' and absorbs damaging UV light to allow over 98% transmission allowing only the best vibrant colors to translate and is advised for all the limited & signed prints.

'Standard' picture framing glass is a 2mm clear float glass. It is inexpensive and will protect your artwork from dust and physical damage.

BACKING :

Full archival acid-free board with 10mm deep-sunk (spacer) in same to create depth and set the artwork back off the glass.