Pro-ject- X1 B (Pick It S2 Mm) TurntablePro ject X1 B (Pick It S2 Mm) Turntable Our X1 B & X2 B and turntables need no introduction. This award winning pair have shown the audio world just how proper execution of basic principles in turntable design can amount to audiophile caliber sonics affordably. Each attack the problems of isolation & resonance from multiple angles featuring height adjustable TPE damped aluminum feet, massive plinths of top quality MDF, solid acrylic record platters &

Pro-ject- X1 B (Pick It S2 Mm) Turntable

Our X1 B & X2 B and turntables need no introduction. This award-winning pair have shown the audio world just how proper execution of basic principles in turntable design can amount to audiophile-caliber sonics affordably. Each attack the problems of isolation & resonance from multiple angles featuring height-adjustable TPE-damped aluminum feet, massive plinths of top-quality MDF, solid acrylic record platters & one-piece carbon-fiber-wrapped aluminum tonearm tubes with precision bearings. Their motors are also shielded, TPE-isolated and fed the cleanest power by the DC/AC generator for push-button speed change and spot-on stability. Let’s review the differences…

X1 B / X2 B
∙ Effective tonearm length: 8.6″ / 9.0″
∙ Platter mass, thickness: 1.5kg, 20mm thick / 2kg, 30mm thick
∙ Overall mass, weight: 7kg (15.43 lbs) / 10kg (22.05 lbs)

X1 B Now Includes Pick it PRO Balanced

Now the X1 B brings you one step closer to the balanced experience with the inclusion of Pro-Ject’s Pick it PRO Balanced MM phono cartridge. This is the first balanced-capable moving magnet cartridge on the market, also making it the most affordable option for balanced application. The cartridge represents collaboration between Pro-Ject & Ortofon. It was meticulously voiced to achieve a non-fatiguing sonic character while conveying impressive detail & spacial information.

The simple explanation for how & why it works: the right channel ground is not associated with the generator shield. Most all MM cartridges tie the right channel ground to the generator shield to reduce noise brought about by higher output & impedance values (compared to MC cartridges). We have reconfigured the grounding & outputs so that a symmetrical (balanced) signal can be sent on from the cartridge. Please note that a balanced cable and a balanced phono stage are required to achieve balanced operation. The turntable, of course, can be used as-is with the supplied Connect it E Phono RCA cable. 

We All Need Balance

With the X1 B, balanced transmission of the phono signal is now available in an unprecedented manner. You no longer need to spend thousands to achieve the measurable quietude afforded by balanced phono. The phono signal coming from your cartridge is not unlike that of the microphone signal: extremely low-level thus requiring unusually-high amplification, making it more susceptible to interference (even more-so in the modern era with electronics abound and with wireless signals running rampant). Since the recording industry uses balanced XLR connections to protect the microphone signal, so too should we with the similarly delicate phono signal. You will have options…

• Mini XLR > Mini XLR cables can be used between the X1 B and our phono preamps with a mini XLR input (Phono Box S3 B, Phono Box DS3 B, Tube Box DS3 B)
• Mini XLR > XLR cables can be used between the X1 B and our phono preamps with an XLR input (Phono Box DS3 B, Tube Box DS3 B, Phono Box RS2)
• RCA > Mini XLR cables can be used between the X1 B and out phono preamps with a mini XLR input (Phono Box S3 B, Phono Box DS3 B, Tube Box DS3 B)
• Visit our True Balanced Cables section to learn more!

A Brief History

In the early days of music recording & reproduction, balanced operation was necessary for staving off noise; balanced is how it began. As demand increased for easier, more affordable at-home listening, unbalanced (RCA) connections were developed & implemented for cost-cutting & ease-of-manufacture. For the same reasons, this is the sort of connection that was popularized. Few looked back and balanced connection in music reproduction became a thing reserved only for the ‘high-end.’ For Pro-Ject, the question became this: why NOT position our customers to hear the difference. This is why our balanced turntables, phono preamps & cables were developed.

Balanced Basics

A balanced circuit at the input-end is a key player. A balanced signal accrues noise just like an unbalanced one, however, how it’s handled by the circuit is where the magic happens. A balanced signal includes positive (+) and negative (-) conductors as well as a grounding conductor (per channel). In terms of electrical polarity, the positive (+) and negative (-) signals are inverted copies of one another, that inversion rendering them electrically different as it pertains the balanced circuit. Interference hits the positive (+) and negative (-) conductors identically so noise artifacts are the same in the eyes of said circuit. “Common-Mode Rejection” is implemented by the balanced circuit’s differential amplifier, cancelling (rejecting) what’s identical (the noise!) and leaving the gate open for what’s different (the inverted positive & negative signals). Then only the negative (-) component is inverted to perfectly match the positive (+) one, increasing signal amplitude sans the noise! The topic of course is highly technical and runs much more deeply than our discussion here permits, but what it amounts to for the listener is more music, less noise. With noise eradicated, expect a new degree of depth to the sound stage (allowing more detail to emerge) and wildly heightened dynamics. Truly your favorite records offer more than meets the ear, and X1 B & X2 B are equipped to deliver the full extent of what you’ve been missing.

Features

• “True Balanced Connection” by Pro-Ject
• RCA phono & mini XLR output outputs
• Pick it PRO Balanced MM cartridge
• Electronic speed control (33/45rpm)
• High-precision sub-platter design
• Stainless steel platter bearing with bronze bushing
• Teflon ‘mirrors’ for lowest possible rumble and noise
• 8.6” one-piece carbon-wrapped aluminum tonearm
• TPE-damped counterweight
• Azimuth and VTA adjustment
• High-mass (1.5kg, 20mm thick) resonance-free acrylic record platter
• Thick CNC-machined plinth of top-quality MDF
• Finished in luxurious 8-layer paint or real-wood veneer
• Shielded semi-symmetrical low-capacitance RCA cables included
• Height-adjustable TPE-damped aluminum isolation feet
• Handmade in Europe

Specs

• Speeds: 33/45rpm, 45/78rpm (flat, round belts)
• Speed variance: ±0.30% (33rpm), ±0.25% (45rpm)
• Wow and flutter: ±0.15% (33rpm), ±0.13% (45rpm)
• Effective tonearm mass: 10g
• Effective tonearm length: 8.6″ (218.5mm)
• Overhang: 18mm
• Power consumption: 5W/0.3W standby mode
• Outboard power supply: 15V/0.8A DC universal power supply
• Dimensions (WxHxD): 415 x 135 x 335mm (lid closed)
• Dimensions (standard): 16.34 x 5.31 x 13.19″
• Weight: 7kg net (15.43 lbs)