SKU: 25805358341

One Control LX Tuner with BJF Buffer

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Description

One Control LX Tuner with BJF BufferWhat do we all need from a tuner? Something reliable that does not change the tone of your instrument, a unit with a great display that is easy to see on dark stages and in bright sunlight, and a high quality signal buffer to keep your tone pristine. Above all, you need a tuner you can trust to be ready for you in all situations. In the old days, many tuners had built in buffer circuits. Usually by incorporating the buffer circuit into the tuner pedal

What do we all need from a tuner? Something reliable that does not change the tone of your instrument, a unit with a great display that is easy to see on dark stages and in bright sunlight, and a high-quality signal buffer to keep your tone pristine. Above all, you need a tuner you can trust to be ready for you in all situations.

In the old days, many tuners had built-in buffer circuits. Usually by incorporating the buffer circuit into the tuner pedal at the start of the pedalboard signal chain, there would be no attenuation of signal after that point in the signal path. Unfortunately, the buffer circuits usually changed the tone, which resulted in many players demanding “true bypass” effects and tuner units.

The perfect tuner should never change the original tone and sound of your instrument. However, there are many benefits to having a properly designed buffer circuit in your signal chain. With a well-designed buffer, you don’t have to have a true-bypass tuner only – you can have the best of both worlds.

In some cases, a buffer may not be needed or wanted within your chain. In the older-style circuits, the impedance changes through buffer use and effects that are used to being connected directly to the guitar (such as some old-school fuzzes) may change the sound in unwanted ways, as well as change the response and feel of these pedals. We have equipped the new LX TUNER with an ON/OFF switch to bring the BJF Buffer circuit in or out of the circuit in case you are using effects such as these. You can use the LX TUNER as both true bypass or with the BJF Buffer as needed.


THE BJF BUFFER:
This amazing circuit is installed in many switchers from One Control, and is one of the most natural-sounding buffer circuits ever created that destroys the old image people have from using old buffer circuits that changed the tone of the instrument.

Features:
Precise Unity Gain setting to 1
Input impedance will not change the tone
Will not make output signal too strong
Ultra-low noise output
If the input is overloaded, the output tone will not be degraded.

Created at the request of many of the world’s greatest guitarists by Björn Juhl, one of the greatest amp and effects designers in the world, the BJF Buffer is the answer to keeping your tone pristine in all sorts of signal chains, from the stage to the studio.

Even when the LX TUNER is in bypass mode, the natural tone is not degraded in any way, while at the same time the signal itself is made stronger and more robust to prevent any attenuation due to poor connections from cables or connectors in the signal chain. When the LX TUNER is activated, the output can easily be muted for silent tuning. Our smaller housing does not take up any extra pedalboard real estate, allowing you to make the most of your precious pedalboard layout. This is the tuner with buffer that has been demanded by guitarists and bassists- the One Control LX TUNER with BJF Buffer!

Ultra-high precision tuning circuit – the LX TUNER with BJF Buffer uses the Korg Pitchblack Custom circuit (licensed by One Control from Korg, Inc for this unit). This latest iteration of the Korg Pitchblack tech has a beautiful, three-dimensional, and stunningly visible display with new ultra-high precision tuning resolution of plus/minus 0.1 cents in strobe mode. The tuning is responsive and fast for ease of use on stage, and yet accurate enough to set intonation on your instrument, like the expensive strobe tuners from the old days. You can tune easily while changing the display mode if you want a different view.

Four Display Modes – In addition to the standard “A Mode”, the LX TUNER has “STROBE MODE” and “HALF STROBE MODE” which shows pitch changes in the direction and speed in which the meter moves, making it very easy to see even small discrepancies in pitch, from top to bottom when aiming for the reference line. There is also a “Regular B Mode” which is a unique vertical display if you would prefer a different visual orientation for tuning.

Calibration settings for a wide range of concert pitches – the LX TUNER can set the initial reference pitch of A4 between 436 to 445 Hz in 1Hz steps. Just by changing the reference pitch by 1Hz, the vibe of a track may be completely different. By being able to use all of these various concert pitches, you can tune with confidence regardless of the playing situation or other instruments you may be called to tune with.

Long Battery Life – The LX TUNER with BJF Buffer can be powered by any standard center negative 9vDC power supply, as well as standard 9v batteries. You can use the LX as an auxiliary power supply in case of trouble onstage, or you can tune off-stage and away from your power sources when needed. Or simply carry the LX TUNER with you in your gigbag for quick, convenient tuning backstage or in the studio.

Convenience – In the last few years, “clip-on” tuners have become popular with guitarists and bassists. These utilize a microphone which picks up the signal electro-acoustically – which is great if you’re in a silent room by yourself. However, once you are in the band room for rehearsal or at the live show with other loud instruments, these types of tuners will become confused by the plethora of vibrations they will pick up from the other players, the PA system, and the ambient noise. With the LX TUNER, you can be sure that only your instrument will be detected so that you can tune reliably and quickly with no interference from other sounds no matter how loud.

Super high visual resolution and visibility, quick detection of incoming signals, ultra-high resolution tuning steps, the world-class BJF Buffer for sonic purity, and the precision manufacturing and high-quality components that One Control has been known for – the LX TUNER with BJF Buffer is our answer to what guitarists and bassists have been asking for!

Specifications:
・BJF BUFFER
„ɪInput ImpedanceÔºö500KΩ
„ɪOutput ImpedanceÔºö60Ω
・Tuner(KORG PitchBlack Custom)
・Scale:12 note equal temperament
„ɪDetection Range:E0 (20.60 Hz) – C8 (4186 Hz)
„ɪCalibration Range:436 – 445 Hz (1Hz steps)Detection
・Accuracy:within +/- 0.1 cent
„ɪInput ImpedanceÔºö1MΩÔºàwhen tuner is turn on.Ôºâ
・Power Supply
・Power:DC9V Negative Tip 2.1mm ballel
・Battery:9V
・Battery Life:approximately 15 hours (A4 continuous input, tuner on, display mode: Regular A, using a 9 volt zinc-carbon battery)
・Current Draw:40mAmax

・Size:67 (W) x 114 (D) x 45 (H) mm
・Weight:249g

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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 25805358341

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4.4 ★★★★★
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Jamie N.Campbell
Natrona Heights, US
★★★★★ 5
A fresh historical perspective to the Resurrection! -by Jamie D.
Format: Paperback
Although there have been countless books written about the Resurrection of Jesus Christ from a theological perspective, few have successfully tackled the Resurrection from the historical perspective. Dr. Licona has successfully done just that, applying a historical methodology to the Resurrection of Jesus Christ. In his opening chapter, Dr. Licona begins by defining what is meant by history, the methods that one employs to study history as well as the limitations that comes when one studies history. It is here that he introduces useful terms to the readers that are re-introduce in subsequent chapter. Horizon, a synonym for bias, can play a critical role in how one perceives and presents history to others. To reduce horizon, Dr. Licona believes that there are six main principles that can help an historian maintain a more objective perspective when reporting history. One of these main principles is that of “historical bedrock” a consensus of what is majorly accepted and infrequently debated. Not only is a consensus important when one considers a hypothesis but a hypothesis that has a solid explanation is important as well. For a hypothesis to have the weight of believability, it must stand up to five different criteria as well. In chapter 2, Dr. Licona then turns his attention to the subject of miracles and their role in history and successfully debunks the most common presuppositions cited by the world’s most famous skeptics against the historicity of miracles. It is in chapter 3 that Dr. Licona employs the historical method to the Resurrection of Jesus Christ by examining both biblical and extrabiblical writings spanning within 200 years of the event. Upon the review of these various writings, he assigns a rating from “unlikely, possible-minus, possible, possible-plus, highly probably, indeterminate and not useful” to determine if they contain any historical weight in its regard to the independent testimony of the Resurrection of Jesus Christ. The historical bedrock principle is re-introduced into chapter 4 and is applied not only to the death of Jesus Christ but to His life as well. Dr. Licona notes that there many aspects of the Jesus’ life and death that are considered historical bedrock even among those with varied agendas. Dr. Licona concludes his book by examining some of the leading naturalistic hypotheses touted from the most prominent liberal and skeptics in this field. By employing the five criteria that gives the historian the most successful explanation, Licona concludes that it is not the naturalistic hypothesis which fits regarding the Resurrection, but the supernatural one. The supernatural hypothesis of the Resurrection is the most solid explanation since it fulfills both historical bedrock as well as meeting all five criteria for the best explanation and thus should be considered by any credible historian as a well attested event that occurred in the past. In summary, I highly recommend this book. As a believer of 40+ years, I learned things about my faith that I did not know about before. For example, I learned how the kerygma, an early Christian creed, lends historical weight to the Resurrection. My advice for believers is not to be intimidated by the voluminous size of this book. It was certainly well worth the read. Dr. Licona has done an excellent job in presenting the material through the perspective of a historian, so much so that one may temporarily forget that he is a theologian as well! Despite the myriad of footnotes peppered through the pages, the book was very easy to read and digest. In short, a must read for those who want to have a better understanding in how to engage skeptics from a different perspective when discussing the Resurrection of Jesus Christ. Get it! You’ll feel that much smarter and grounded in the faith once you’ve read the last page!
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Reviewed in the United States on December 5, 2021
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Verified Purchase
John Keller
Lowell, US
★★★★★ 5
Don’t be intimidated...it's detailed, but systematic and rational
Format: Paperback
Don’t be intimidated by this 700-page tome. Once you factor in the bibliography, index and footnotes, the body of the work is only about 400 pages. Licona includes an all-important, detailed outline for quick reference back to key topics, and it’s valuable because of the variety of issues he tackles. I’d say, he does a wonderful job of giving us an objective, systematic approach to addressing the historicity of the events following Jesus’ crucifixion. Licona lays the groundwork for his examination of the issue by considering the philosophy of history and tackling things like what is truth, what makes something a historical fact, who has the burden of proof, and is history a science? As a needed addition to this philosophical introduction, he spends time outlining the methods he will use to approaching relevant texts, claims of miracles, and consensus facts. Most important, I think, to his methods was his self-examination of potential bias due to personal belief and worldview. He addresses what he calls a personal “horizon” that historians must be set aside in order to be objective and get at the truth. He certainly points it out in others along the way and makes it clear throughout the book that he is trying to identify and eliminate any potential bias he may bring to the process. In his investigation, he addresses the most important sources related to Jesus’ life, crucifixion and claims of the resurrection. He deals with both Christian and non-Christian sources that were written immediately following the events as well as within the following 200 years. Licona makes the case for authenticity and credibility of the most important sources, and where there have been challenges to these sources over the centuries, he addresses those challenges head on. Ultimately, he boils the events, claims, facts and sources down to what he calls the “bedrock” pertaining to the fate of Jesus. This bedrock consists of three facts that are well supported by authentic, textual evidence which enjoy nearly consensus support by all historians (both Christian and non-Christian). For Licona, the bedrock which need be answered are (1) Jesus’ death by crucifixion, (2) the claims Jesus appeared to individuals and groups following his burial, and (3) the conversion of the Church persecutor, Paul. Ultimately, Licona breaks down six different hypotheses which claim to explain the bedrock and he uses systematic criteria for weighing those hypotheses. He concludes that a resurrection is the best explanation but admits that it’s only by setting aside a naturalistic worldview that one can embrace the conclusion. I like Licona’s methodical approach but would offer two critiques. Do we really need all the Greek citations written out? I understand that there is nuance and variations in meaning for words that are used in the original sources, but to give us all the text and the translation seemed superfluous. Second, I think it was a cop-out to skim the importance of the empty tomb. Other historians put the fact of the empty tomb as one of their top facts to be explained, but Licona punted on it because he didn’t feel it received universal consensus. Consensus aside, the fact of the empty tomb does receive support by a strong majority of scholars, even ones that do not support the resurrection. This cross-section of scholarly support, along with the volume and type of textural evidence, namely the confirmation by Christian enemies, should have elevated the fact of the empty tomb to the “bedrock” which require explanation.
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Reviewed in the United States on April 12, 2021
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Elly
Lake Worth, US
★★★★★ 5
so helpful
Format: Paperback
got for school and used it a lot its been so helpful
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 3, 2026
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E
Fort Morgan, US
★★★★★ 5
Great price...
Format: Paperback
Needed this for my EKG course. Price was right.
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Reviewed in the United States on February 1, 2026
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LUCIOUS
Bozeman, US
★★★★★ 5
Satisfied
Format: Paperback, Format: Paperback
Brand new got here on time, haven’t got to indulge in the content yet but definitely exactly what I ordered.
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Reviewed in the United States on May 10, 2025

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