SKU: 29107497770

Buí by Doreen Kilfeather & Aisling Farinella

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Description

Buí by Doreen Kilfeather & Aisling FarinellaBu Misty rain, slippery stones, a morning dip in the water. A slice of toast, kitchen chats, the thrill of a beaded headpiece. Patchwork bedspreads, cabbages, shells sticking together. In a world of our own for a while, appreciating but probably not quite fully realising how restorative it was. Sharing stories and sharing meals, tiny details considered. A day of rain, a day of sun, two seasons all rolled into one memory. About Bu The images of this

Buí

Misty rain, slippery stones, a morning dip in the water.
A slice of toast, kitchen chats, the thrill of a beaded headpiece.
Patchwork bedspreads, cabbages, shells sticking together.
In a world of our own for a while, appreciating but probably not quite fully realising how restorative it was. Sharing stories and sharing meals, tiny details considered.
A day of rain, a day of sun, two seasons all rolled into one memory.

About Buí

The images of this series Buí were created in commune with the place and the time, with the weather, the light, the fashion and the magic company. Mother, daughter, friend, sister and each of these roles combined; some tangled, some seamless, all made better by being together.

The location lends itself to stillness on sloping hills, in a bay, on the edge of the water, disrupted no doubt by our presence but also happy to host our curious approach to life. Lace on stone walls, brocade in the kitchen, taffeta in the bog, every room inhabited with chatter and activity, stillness before the camera.

Photographer Doreen Kilfeather imbues the series with these moments, not always visible to the eye. She sees the details of life which others might walk by. Challenging, responding and collaborating, Elsa is familiar with her mother’s technique. Both standing her ground and finding her ground she is our heroine in a time that stands still. The fashion pieces, flown in from London could have been born in this place. Shells from the sea, crystal falling like rain, crown of nature, crispy cotton, structure, softness, presence. Selected by stylist Aisling Farinella they enhance the images with a naturalistic approach.

Taking its title from the location, Buí is the Irish word for yellow, a colour associated with hope. The bright yellow flower of the gorse plant is seen from the side of the road all over Ireland. In our folklore it is closely connected to women who used the flower to hand dye cloth and make potions and all sorts of medicines, as well as a general tonic – which we hope these images achieve.

Doreen Kilfeather

Doreen Kilfeather is a Dublin-based photographer specialising in portraiture and fashion photography.

A deep understanding of light and shadow, and a sense of intimacy and connection define her work. Her personal projects focus on her family and friends and their children. She returns to these communities of friends each year to document the feeling of being a child, an adolescent, a young adult, in portraits that capture both the person and a sense of the place they occupy.

Her work has been featured in publications such as Irish Tatler, Image, Cara, The Gloss, Boys by Girls and Faire magazine.

@dkilfeather/ dkilfeatherphotography.com

Aisling Farinella is a stylist, creative director and consultant working across fashion and cultural platforms. A sought after stylist, her work is featured in prominent Irish and international publications, working closely with leading Irish artistic talents, designers and clients. Her individual styling aesthetic is conveyed through a naturalistic approach and a love for elevating portraiture through fashion.

Aisling is Consulting Fashion Editor at Irish Tatler, a Board Director of the IDI and course lead for the CFA NCAD Professional Diploma in Fashion Communication. She was editor and co-creative director of Thread (2011-2018).

@aisfarinella/ aislingfarinella.com

Publication Details:
Photographer: Doreen Kilfeather
Stylist: Aisling Farinella
Model: Elsa Murray
Photographed on location at Bothar Buí and the local area in West Cork, Ireland.
Fashion: Simone Rocha AW20 & SS21 Collections, and model's own
Words: Aisling Farinella
Publication Design: Keith Nally
Printed by KOPA, Lithuania
Published by THREAD Editions, Ireland.
Printed in an edition of 260

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SKU: 29107497770

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Phoebe Cook
Houston, US
★★★★★ 5
this is the book you’re looking for
Format: Paperback
I’d just finished reading Jules Gil-Peterson’s A Short History and felt a little unsatisfied and uncomfortable with all the orientialism. I picked this up and was immediately sure I had the antidote. Bhatt is clear, direct, and uncompromising. She avoids filler and gets right to the heart of things—“how is this not like blackface?” gets dealt with more thoroughly and decisively than I have ever seen it within the first few pages. She reveals the transmisogyny lurking in even nominally queer social and intellectual movements, and also finds pockets of beautiful solidarity and common ground in some surprising places. Above all, her love for women shines through every word. This book cleared up some misconceptions I had, made me cry, and will make me a better partner and comrade to trans women. Buy it.
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Reviewed in the United States on August 4, 2025
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Samrat Basani
Boise, US
★★★★★ 5
Excellent essays in a brilliant book
Format: Paperback
This is a really excellent book. A lot of anthologies of essays have great essays in them, as this one does, but not all of them work as well as a cohesive text as Trans/ Rad/Fem does. I'd recommend this for anyone interested in transfeminism, even if you'd already read individual essays from Bhatt's newsletter by the same name. As with the essays in their newsletter format, The Third Sex and The Questions Has an Answer were my favorite. Bhatt's writing has such force and clarity that I look forward to reading whatever she chooses to write about next.
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Reviewed in the United States on February 25, 2025
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Jade
West Palm Beach, US
★★★★★ 5
Absolutely brilliant
Format: Kindle
An absolute tour de force reckoning with decades of feminist scholarship and theorizing about trans feminine bodies and motivations. Succinctly and pithily describes the hegemonic culture’s understanding of transsexual women and demands an accounting from the hegemony’s enablers on their treatment of all marginalized queer and especially trans people.
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Reviewed in the United States on February 14, 2025
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Colton
Carnegie, US
★★★★★ 5
Insightful book
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Was a great read definitely worth it.
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Reviewed in the United States on March 11, 2025
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Possum Lover
Houston, US
★★★★★ 5
Bhatt Writes Like a Freight Train Barreling Towards You
It's just hit after hit after hit. It's some of the punchiest writing I've ever read, conceived from a combination of a mastery over the written word and enough righteous indignation to burn a star out. Perfection. If you brought back Simone de Beauvoir today, after she stopped screaming at the sight of a computer, I think she'd thoroughly enjoy this. Rigorous and bracing as a read. Has its place in the modern feminist canon.
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Reviewed in the United States on April 5, 2025

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