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Description
Innovacar SC4 Tex Coat Protective Waterproofing Spray For FabricsTHE BENEFITS OF SC4 TEX COAT SC4 Tex Coat by Innovacar is a protective waterproofing spray for all types of car fabrics and leather. It can be used for soft top car roofs, seats, mats and the steering wheel, practically on all the parts of your car made of fabric or leather that are used the most. It has an alcohol based formula that makes it dry quickly to speed up the process. Main features of our product: Oil water repellent effect: thanks to the
THE BENEFITS OF SC4 TEX COAT
SC4 Tex Coat by Innovacar is a protective waterproofing spray for all types of car fabrics and leather. It can be used for soft-top car roofs, seats, mats and the steering wheel, practically on all the parts of your car made of fabric or leather that are used the most. It has an alcohol-based formula that makes it dry quickly to speed up the process.
Main features of our product:
- Oil-water repellent effect: thanks to the fluoropolymers in the formula, it creates a protective barrier, making the treated surface oil and water repellent.
- Does not make the fabrics greasy : it is a specific solution on fabrics that can protect them without making them greasy.
- Antistatic and dustproof: the final effect of the treatment prevents static energy from accumulating, which causes dust accumulation.
- Protects against whitening and UV rays: thanks to the absence of petroleum distillates, the product can withstand extreme temperatures without whitening or releasing oily substances.
- Easier cleaning: after the application, treated leather and fabrics are easier to maintain and clean.
Average consumption: between 100 ml and 150 ml per m2.
Summarized technical data:
- Self-cleaning capacity: 5/5
- Duration: 5/5
- Beading: 5/5
- Drying: In 1 hour
- Curing time: After 7 hours
- pH: 7.00
SC4 TEX COAT IS IDEAL TO
- Have water repellent car fabrics that reduce and prevent the typical problems caused by rain, beverages and wet pets.
- Extend the life cycle of your leather and fabric car interiors.
- Avoiding fading and reducing dehydration are the main causes of premature ageing of car interiors.
- Facilitate maintenance and cleaning.
- Protect soft-top roofs for convertible vehicles
HOW TO USE SC4 TEX COAT
How to waterproof car leather and fabrics with SC4 Tex Coat:
- Before proceeding with the treatment, check that the surface of the fabric or leather is clean and dry.
- Apply 2 - 3 sprays of product on the surface and wait for it to dry; in case of leather, use a microfibre cloth to apply the product evenly.
- After 20 minutes, an additional layer can be applied to enhance the effect.
- Wait up to 7 hours after the application for complete activation. The effect lasts up to 3-6 months, depending on the treated surface.
Use: use the product undiluted.
Precautions: do not apply in the sun or on hot surfaces; the best performance is achieved with a well-cleaned and dry surface (fundamental for product performance).
SAFETY INFO & TECHNICAL DATA SHEET
PRODUCT CODE
79299 - SC4 TEX COAT 500 ml
SAFETY INFORMATION
DANGER
H225 Highly flammable liquid and vapor.
H319 Causes serious eye irritation.
H336 Can cause drowsiness or dizziness.
P101 If medical advice is needed, have product container or label at hand.
P102 Keep out of reach of children.
P103 Read carefully and follow all instructions.
P210 Keep away from heat, hot surfaces, sparks, open flames and other ignition sources. No smoking.
P271 Use only outdoors or in a well-ventilated area.
P370+P378 In case of fire, use water to extinguish.
P403+P235 Store in a well-ventilated place. Keep cool.
P405 Store locked up.
P501 Dispose of contents/container in accordance with local regulations.
Contains: ISOPROPYL ALCOHOL, BUTYL ACETATE,2-METHYLPROPANOL.
Click here to download the data sheet
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4.5 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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