SKU: 34320409505

Online meistarklase "Izproti uzbudinājumu" ar Evu Gulbi

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Online meistarklase "Izproti uzbudinājumu" ar Evu GulbiKpc meistarklase ir Tava atslga nolabi uz patiesi neazimirstami? Jo ie 4 soi paldz saprast, k ermenis, prts un emocijas sadarbojas, lai radtu dziku tuvbu un baudu abiem partneriem: 1. Izproti, k ermenis patiem darbojas Tu iepazsi gan sievietes, gan vriea anatomiju vulvu, klitoru, dzemdes kaklu, G punktu, locekli, prostatu un iegura pamatnes muskulatru. Sapratsi, k s zonas funkcion un kpc katrai no tm ir sava nozme tuvb un uzbudinjum. 2. Atklj


Kāpēc šī meistarklase ir Tava atslēga no“labi” uz “patiesi neazimirstami”?

Jo šie 4 soļi palīdz saprast, kā ķermenis, prāts un emocijas sadarbojas, lai radītu dziļāku tuvību un baudu abiem partneriem:

1. Izproti, kā ķermenis patiešām darbojas

Tu iepazīsi gan sievietes, gan vīrieša anatomiju - vulvu, klitoru, dzemdes kaklu, G-punktu, locekli, prostatu un iegurņa pamatnes muskulatūru.
Sapratīsi, kā šīs zonas funkcionē un kāpēc katrai no tām ir sava nozīme tuvībā un uzbudinājumā.

2. Atklāj fizioloģijas noslēpumus

Uzzināsi, kā uzbudinājums rodas abos dzimumos – un kā vīrieša un sievietes uzbudinājuma cikli atšķiras.
Izpratīsi, kā hormoni, miegs, stress, menstruālais vai cirkadiānais ritms ietekmē vēlmi – un kā šīs zināšanas izmantot savā labā.

3. Pārzini savu “gāzes pedāli un bremzes”

Tu atpazīsi, kas Tavam uzbudinājumam palīdz, un kas to apstādina.
Uzzināsi, vai Tava uzbudinājuma daba ir spontāna vai reaktīva – un kā to savienot ar partnera ritmu, lai abi justos droši, atvērti un iekāroti.

4. Iemācies spēlēties ar tuvību

Praktiski vingrinājumi, “ķermeņa uzbudinājuma karte” un apzināta pieskāriena prakses palīdzēs Tev labāk sajust sevi un partneri.
Uzzināsi, kā radīt vidi, kas ļauj ķermenim atslābināties, eksperimentēt un baudīt bez vārdiem.

Rezultāts:
Tu iegūsi ne tikai zināšanas, bet arī pieredzi  – jaunu saikni ar sevi, dziļāku tuvību ar partneri un nebijušu pārliecību par savu ķermeni.
Tā vairs nav tikai fiziska bauda – tā ir izpratne, kas pārvērš “labu seksu” par neaizmirstamu tuvību.

Zināšanas un pieredze, ko iegūsi šajā meistarklasē paliks ar Tevi uz mūžu!

Pievienojoties, Tu saņemsi:

30 dienu piekļuvi visiem meistarklases materiāliem
No anatomijas līdz psihoemocionālajai daļai – uzzini, kā darbojas ķermenis un prāts, lai atvērtu pilnīgi jaunu baudas un tuvības līmeni

Zinātniski pamatotu, drošu un atklātu izglītojošu saturu
Viss, ko skolā nemācīja – par uzbudinājuma ciklu, hormonu ietekmi, atšķirībām starp sievietes un vīrieša fizioloģiju, kā arī to, kā šīs zināšanas izmantot praksē

Praktiskus uzdevumus un vingrinājumus
"Ķermeņa uzbudinājuma karte", pieskāriena un saiknes vingrinājumi, kas palīdz labāk sajust sevi un partneri

Kaisles komunikācija
Kā runāt par vēlmēm, robežām un tuvību ar partneri vēl kaislīgākai saiknei

Psiholoģiskos instrumentus, kas palīdz “gribēt”
Kā atpazīt un uzlabot uzbudinājuma “bremzes” un “gāzes pedāli”

EKSKLUZĪVI BONUSI:

🎁 PDF ceļvedis “Ķermeņa uzbudinājuma karte”
Viegli izmantojams ceļvedis, kas palīdz saprast, kur un kā ķermenis reaģē uz stimulāciju un tuvību.

🎁 Praktiskais checklists “Tuvības vide mājās”
Kā sagatavot telpu, atmosfēru un sevi – no gaismām un smaržām līdz pieskārieniem un sarunām.

🎁 Grāmatu ieteikumu saraksts
Īpaši atlasītas grāmatas par seksualitāti, uzbudinājumu un psihoemocionālo veselību

🎁Pieeja Whatsapp atbalsta grupai
Droša, anonīma vide, kur vari uzdot jautājumus, dalīties pieredzē un saņemt iedrošinājumu no citiem dalībniekiem un Evas

Meistarklases autore: Eva Gulbe

Mani sauc Eva, un jau vairāk nekā 15 gadus dzīvoju pasaulē, kur satiekas veselība, attiecības un seksualitāte.

Savu ceļu sāku apgūstot Papardes Zieda mācību programmu un darbojoties Dobeles Jaunatnes centrā, vēlāk studēju vecmātību, kur ieguvu padziļinātas zināšanas par anatomiju un fizioloģiju.

Gadu gaitā esmu strādājusi ar vairāk nekā 2000 cilvēkiem, palīdzot viņiem saprast savu ķermeni, vēlmes un tuvību attiecībās.

Esmu sertificēta dūla, šobrīd maģistra studente psiholoģijā, un 5 gadus vadīju SexyStyle konsultantu komandu – veidojot izglītojošas meistarklases, apmācot darbiniekus un palīdzot cilvēkiem droši runāt par seksualitāti.

Visos šajos darbos mani vienmēr vadījusi viena pārliecība:

Jo labāk mēs saprotam savu ķermeni, jo dziļāku tuvību un baudu spējam piedzīvot!

Tāpēc es radīju šo meistarklasi – lai dotu cilvēkiem zināšanas, kas atbrīvo no mulsuma, mītiem un spriedzes ap intimitāti, un palīdz pārvērst “labu seksu” par patiesi dzīvu, kaislīgu un saskaņotu pieredzi.

Šis ir mans aicinājums: runāt par to, kas patiesībā mūs satuvina.
Bez kauna. Bez nedrošības.
Ar zināšanām, cieņu un patiesu klātbūtni.


Biežāk uzdotie jautājumi

1. Vai šī meistarklase ir piemērota man, ja man šķiet, ka es jau visu zinu par seksu?
Jā! Lielākā daļa cilvēku tā domā – līdz uzzina, cik daudz viņu ķermenis patiesībā spēj sajust.
Šī meistarklase atklās zinātniski pamatotas, bet reti apspriestas lietas par uzbudinājumu, ķermeni un tuvību, kas mainīs veidu, kā Tu uztver baudu.

2. Vai meistarklase ir domāta tikai sievietēm?
Nē – tā ir radīta gan sievietēm, gan vīriešiem.
Jo, lai radītu patiesu tuvību, ir jāizprot abi ķermeņi – un šī meistarklase parāda, kā tie sadarbojas.  Daudzi pāri to skatās kopā, un tas kļūst par iedvesmojošu, atklātu un rotaļīgu pieredzi.

3. Vai man vajadzīga iepriekšēja pieredze vai zināšanas par seksualitāti?
Nē. Viss ir izskaidrots skaidri, droši un cilvēciski.
Tu iegūsi gan pamatlietas (ko skolā nemācīja), gan praktiskus rīkus, kas palīdzēs uzlabot tuvību ikdienā.

4. Vai šī meistarklase ir piemērota, ja man šobrīd nav partnera?
Pilnīgi noteikti!
Tā ir lieliska iespēja iepazīt savu ķermeni un izprast, kas Tev rada uzbudinājumu un baudu.
Kad to zināsi, tuvība ar partneri nākotnē būs daudz vieglāka un patiesāka.

5. Vai šī meistarklase būs piemērota arī pārim kopā?
Jā!
Daudzi pāri to izmanto kā drošu un izglītojošu veidu, kā atsvaidzināt kaisli, labāk saprast viens otra vēlmes un iemācīties par tām runāt bez mulsuma.

6. Vai būs tikai teorija, vai arī praktiska daļa?
Arī prakse! Tu saņemsi vingrinājumus, “ķermeņa uzbudinājuma karti”, apzināta pieskāriena tehnikas un refleksijas uzdevumus, ko vari izmēģināt gan viena, gan kopā ar partneri.

7. Vai viss notiek konfidenciāli?
Jā! Tu saņemsi privātu piekļuvi platformai, kur vari skatīties materiālus sev ērtā laikā un vietā.
Tavs vārds nekur netiek publiskots, un dalībnieku anonimitāte ir pilnībā garantēta.

8. Cik ilgi man būs piekļuve meistarklasei?
Tu saņem 30 dienu piekļuvi visiem materiāliem, lai vari skatīties un praktizēt sev ērtā laikā.

9. Kādi rezultāti mani sagaida pēc meistarklases?
Tu sapratīsi, kā darbojas Tavs un partnera uzbudinājums, atklāsi jaunu tuvības dziļumu un iegūsi pārliecību par savu ķermeni.
Daudzi dalībnieki saka – “man likās, ka man viss ir labi, bet tagad es saprotu, kā ir patiesi labi.”

10. Vai šai meistarklasei ir garantija?
Jā! Ja 14 dienu laikā pēc meistarklases iegādes, sapratīsi, ka tā nesniedza vērtību, ko sagaidīji, sazinies ar mums – un saņemsi pilnu naudas atmaksu, bez jautājumiem.

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4.6 ★★★★★
Based on 30 reviews
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KEITH
Cuba, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Cuba, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
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Clare Quilty
Port Orchard, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Dallas, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Massapequa, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007

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