SKU: 4760537292

Keychron K1 Max QMK/VIA 80% Wireless Custom Mechanical Keyboard | RED Switches

Sale price$1169.55 Regular price$1299.50
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Description

Keychron K1 Max QMK/VIA 80% Wireless Custom Mechanical Keyboard | RED SwitchesThe Keychron K1 Max QMK VIA Low Profile Wireless Custom Mechanical Keyboard is a cutting edge, ultra slim TKL (80%) mechanical keyboard designed for seamless wireless and wired connectivity. With support for 2. 4GHz, Bluetooth 5. 1, and USB Type C wired connections, it offers versatility for both work and play. The Keychron Launcher web app allows users to remap keys, program macros, and fine tune their setup for a fully customized experience. Built

The Keychron K1 Max QMK/VIA Low Profile Wireless Custom Mechanical Keyboard is a cutting-edge, ultra-slim TKL (80%) mechanical keyboard designed for seamless wireless and wired connectivity. With support for 2.4GHz, Bluetooth 5.1, and USB Type-C wired connections, it offers versatility for both work and play. The Keychron Launcher web app allows users to remap keys, program macros, and fine-tune their setup for a fully customized experience. Built with LSA (low-profile spherical-angled) keycaps for both macOS and Windows, it ensures a comfortable and intuitive typing experience straight out of the box.

Engineered for high-performance gaming and professional use, the 2.4GHz wireless mode delivers an ultra-fast 1000Hz polling rate, ensuring near-zero latency even in competitive settings. The low-profile Gateron Jupiter Red switches, which are 31% slimmer than standard mechanical switches, provide a smooth, linear feel while maintaining a sleek and lightweight design. For those who love customization, the hot-swappable version enables effortless switch swapping without the need for soldering, giving users full control over their typing experience.

The K1 Max is powered by QMK/VIA firmware, offering limitless customization possibilities, including key remapping, shortcuts, and macros. The ARM Cortex-M4 32-bit MCU with 256KB Flash ensures smooth performance and long-term reliability. Designed for comfort, the keyboard features IXPE acoustic foam for silent keystrokes, latex foam for enhanced switch support, and redesigned stabilizers to minimize wobble on larger keys like space bar, Shift, Enter, and Backspace. These refinements contribute to a quieter, more stable, and premium typing experience.

Aesthetically, the K1 Max boasts double-shot PBT keycaps, offering oil resistance and durability for long-term use. The keyboard features more than 22 types of RGB backlight effects (with additional fine-tuning for hue, brightness, and speed), as well as a white backlight option for a more subtle look. With a 2000mAh battery, it provides up to 95 hours of use with backlight off or 50 hours on the lowest brightness RGB setting, ensuring long-lasting wireless performance. Whether for productivity, gaming, or daily use, the Keychron K1 Max sets a new standard for low-profile mechanical keyboards.

FEATURES:

  • Customisable keyboard with 80% layout
  • 2.4GHz & Bluetooth connection
  • QMK/VIA Support
  • Double-shot PBT keycaps
  • Ultra-slim design
  • Hot-swappable
  • RGB LED lights
  • Low profile Gateron Jupiter RED switches
  • Screw-in PCB stabilisers

SPECIFICATIONS:

  • Colour: Black
  • Number of Keys: 87 (80%)
  • Switches: Gateron low-profile mechanical
  • Switch Face: North-facing
  • Number of Multimedia Keys: 12
  • Frame Material: ABS + Aluminium frame
  • Keycap Material: Low-profile double-shot PBT
  • Layout: ANSI
  • Polling Rate (2.4GHz and Wired Mode): 1000Hz
  • Polling Rate (BT Mode): 90Hz
  • N-Key Rollover (NKRO): Yes for both wireless and wired modes
  • Backlit: 22 types of RGB backlight options plus endless possibilities
  • Battery: 2000 mAh rechargeable li-polymer battery
  • Wireless Working Time (Backlit off): Around 95  hours (Lab test result may vary by actual use)
  • Wireless Working Time (RGB): Around 50 hours (Lowest brightness)
  • Connection: 2.4 GHz / Bluetooth / Type-C wired
  • Bluetooth version: 5.1
  • Bluetooth Device Name: Keychron K1 Max
  • Compatible System: macOS / Windows / Linux
  • Typing Angle: 3.37º, 4.2º and 6.7º
  • MCU: ARM Cortex-M4 32-bit STM32F402 (256KB Flash)
  • Operating Environment: -10 to 50℃
  • Gateron Jupiter RED Switch:
    • Operating force: 50 ± 15 gf
    • Pre-travel: 1.7 ± 0.4mm
    • Travel distance: 3.0 ± 0.2mm
    • Behavior: Linear
    • Pre-lubed: Yes
    • Sound level: Low
    • Suitable for: Office/gaming
  • Product Dimensions: 34.6 x 11.8 x 1.8~2.4 cm
  • Product Weight: 608g

WHAT’S IN THE BOX:

  • Keychron K1 Max QMK/VIA Low Profile Wireless Custom Mechanical Keyboard | RED Switches – Black x1
  • Type-A to Type-C Cable x1
  • Extension Adapter for Receiver x1
  • Type-A 2.4GHz Receiver x1
  • Keycap & Switch Puller x1
Shipping Notes
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 4760537292

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4.1 ★★★★★
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Product Reviews
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Verified Purchase
William
Cuba, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Alexandria, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Natrona Heights, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
H
Verified Purchase
Here
Houston, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Waukegan, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010

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