SKU: 61883957449

Thomas Lang: Scallywag Jaz: Expanded 30th Anniversary Edition - COMPACT DISCS

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Thomas Lang: Scallywag Jaz: Expanded 30th Anniversary Edition - COMPACT DISCSTitle: Scallywag Jaz: Expanded 30th Anniversary Edition Artist: Thomas Lang Label: Sfe Product Type: COMPACT DISCS UPC: 5013929847224 Genre: Jazz Release Date: 2017 11 17 Number of Discs: 2 Additional Details: UNITED KINGDOM IMPORT, ANNIVERSARY EDITION, EXPANDED VERSION Digitally remastered and expanded 30th anniversary edition of Thomas Lang's acclaimed debut album, Scallywag Jaz from 1987. This edition contains no fewer than 26 bonus tracks. Thomas

Title: Scallywag Jaz: Expanded 30th Anniversary Edition
Artist: Thomas Lang
Label: Sfe
Product Type: COMPACT DISCS
UPC: 5013929847224
Genre: Jazz
Release Date: 2017-11-17
Number of Discs: 2
Additional Details: UNITED KINGDOM - IMPORT, ANNIVERSARY EDITION, EXPANDED VERSION

Digitally remastered and expanded 30th anniversary edition of Thomas Lang's acclaimed debut album, Scallywag Jaz from 1987. This edition contains no fewer than 26 bonus tracks. Thomas Lang's honeyed tenor tones drew comparisons, at the time of it's original release, with the smooth, sultry jazz drenched moods of Sade and the warmth and expressive inflections of Alison Moyet. For sure, Thomas Lang had a big, classy voice and an easy, dashing elegance. His debut album was written with, and co-produced by, one of the leading Merseyside musicians of the day, David A. Hughes who had previous associations with local acts Dalek I Love You, OMD and The Lotus Eaters and who would go on to forge a notable career composing for film and television. Thomas Lang has been enthusiastically involved in making this deluxe reissue such a comprehensive celebration of the songs herein. Every single b-side from the related singles has been included as have variant versions, demos and live versions of key album tracks. A special inclusion are two all new songs called 'Scared' and 'I Believe' that confirm Thomas Lang's ongoing power as a foremost song stylist. Other rarities include the debut appearance of the first ever song to emerge from the Thomas Lang and David A. Hughes songwriting partnership, 'Red' and the first version of, perhaps, one of the most commercial sounding tracks ever recorded by Thomas, the rousing 'The More That You Expect'.

Tracks:
1.1 Fingers ; Thumbs
1.2 The Happy Man
1.3 Boys Prefer
1.4 Me and Mrs Jones
1.5 Scallywag Jaz
1.6 Shoelaces (MRS Jones Part 2)
1.7 Strength
1.8 Sleep with Me
1.9 Spirit
1.10 Injury
1.11 Envy
1.12 A Difference
1.13 Cry Baby
1.14 Mrs Jones Meets Godzilla
1.15 Have You Met Miss Jones?
1.16 Logic
1.17 Sympathy
1.18 Skin
1.19 Bulgaria
1.20 Sons of
2.1 The Happy Man (7" DJ Version)
2.2 The Happy Man (New Version)
2.3 Boys Prefer (Single Version)
2.4 Sleep with Me (Demo)
2.5 Red
2.6 The More That You Expect
2.7 Scared
2.8 I Believe
2.9 Fingers ; Thumbs (Live at Liverpool Philharmonic Hall, 2016)
2.10 The Happy Man (Live in Tokyo, 1991)
2.11 Envy (Live at Liverpool Philharmonic Hall, 2016)
2.12 Me ; Mrs Jones (Live at Liverpool Philharmonic Hall, 2011)
2.13 Shoelaces : Mrs Jones Part 2 (Live at Liverpool Philharmonic Hall, 2011)
2.14 Have You Met Miss Jones? (Live in Tokyo, 1991)
2.15 Injury (Live in Tokyo, 1991)
2.16 Sons of (Live in Tokyo, 1991)
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SKU: 61883957449

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Reviewed in the United States on January 26, 2019
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★★★★★ 3
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nfmgirl
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★★★★★ 5
History doesn't repeat, but it rhymes
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They say that history doesn't repeat itself, but it rhymes. Reading Rachel Maddow's Prequel, that old adage lands with uncomfortable, clarifying force. The America of the 1930s had Senator Huey Long — loud, brash, barnstorming, and brimming with populist promises — and the resonance with our own era of bombastic political theater is impossible to dismiss. Maddow doesn't make that parallel clumsily. She doesn't need to. The evidence, laid out with the precision of a seasoned researcher and historian, speaks for itself. Prequel tells the story of a far-right authoritarian impulse that has run through the veins of American political life for nearly a hundred years. In the 1930s, coinciding with Hitler's rise in Europe, a coordinated movement pushed hard for fascism here at home. Groups stockpiled weapons and explosives in preparation for an insurrection. Government officials worked in coordination with foreign actors. A fascist-sympathetic narrative was amplified through official and unofficial channels alike. This was not fringe paranoia — it was organized, resourced, and frighteningly close to succeeding. What is remarkable — and what gives this book its most urgent energy — is the story of who stopped it. Not always the institutions we might hope to rely on. Where the American legal system faltered, journalists and activists filled the breach. Investigators, reporters, and citizens took up the banner of democracy through dogged, unglamorous work. This is where Maddow's particular genius comes into its own. She is a master of the long connective thread — drawing bright lines between the events of the past and the present without letting the comparison become reductive or cheap. Prequel teaches us what was learned the last time democracy faced this kind of pressure: where the weaknesses are, what held, and — critically — what it will take to hold again. She identifies the strongholds. She maps the vulnerabilities. She makes a history lesson feel like a field guide. The book is also, simply, a pleasure to read. Maddow brings to the page the same qualities that made her a formidable broadcaster: the ability to take deeply complex, document-heavy material and render it not just comprehensible but genuinely gripping. Her research is formidable. Her journalistic integrity is evident on every page. And her storytelling instincts transform what might otherwise be a dry historical account into something that reads with the momentum of a thriller. The result is a text that is at once a celebration — democracy was fought for and, in that moment, successfully defended — and a warning. This book is well researched, well documented, and well written. Maddow is a master storyteller handing us a guide for the fight ahead of us. The impulse toward authoritarianism did not dissolve with the defeat of fascism abroad; it went quiet, regrouped, and waited. Democracy is once again under attack from the inside, and Prequel makes the case — calmly, rigorously, without hysteria — that this is not unprecedented, that it has been faced before, and that it can be faced again. Don't give up the fight. Don't let the bastards grind you down. (Upgraded from 4.5 stars)
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