SKU: 66780523097

Sennheiser HD 25 - Headband Pad Headband Pad 1 pc. for HD 25series splitt headbands

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Description

Sennheiser HD 25 - Headband Pad Headband Pad 1 pc. for HD 25series splitt headbandsSennheiser HD 25 Headband Pad (1 pc.) The Sennheiser HD 25 Headband Pad (Article Number: 034346) is a factory original original equipment manufacturer (OEM) replacement cushion designed explicitly for the adjustable split headband system of the iconic Sennheiser HD 25 headphone series. Because the HD 25 is the industry standard monitoring tool for touring DJs, broadcast cameramen, and field recordists, its components are subject to intense daily wear,

Sennheiser HD 25 Headband Pad (1 pc.)

The Sennheiser HD 25 Headband Pad (Article Number: 034346) is a factory-original original equipment manufacturer (OEM) replacement cushion designed explicitly for the adjustable split headband system of the iconic Sennheiser HD 25 headphone series.

Because the HD 25 is the industry-standard monitoring tool for touring DJs, broadcast cameramen, and field recordists, its components are subject to intense daily wear, friction, and environmental exposure. This official spare part restores the headphone’s original ergonomics, ensuring the split-band mechanism can comfortably distribute weight across the top of the skull during long shifts.

Key Architectural and Functional Attributes

  • Targeted Split-Headband Fit: This padding piece is molded precisely to slide into the dedicated tracking channels on the two independent, movable bars of the HD 25 split-headband chassis.

  • High-Resilience Comfort Cushioning: The core uses a specialized, dense foam designed to retain its springiness under the high lateral clamping force characteristic of the HD 25 series, avoiding bottoming out against the rigid plastic frame.

  • Easy-to-Sanitize Exterior: Covered in a high-grade, sweat-resistant black polymer wrap, the cushion stands up to skin oils and hair products and can be quickly wiped clean between shifts.

Technical Specifications Matrix

Feature Parameter Hardware Specification Profile
Model Reference Name HD 25 Headband Pad (1 pc.)
Official Article Number 034346
Master Headphone Compatibility Sennheiser HD 25 Series with split headbands
Primary Material Matrix High-density foam with a protective polymer wrap
Package Sales Unit 1 Individual Piece (Note: A full HD 25 headband requires 2 pads)
Hardware Finish Color Matte Black
Attachment Mechanism Integrated peel-and-stick adhesive backing strip

Installation and Fleet Maintenance Advice

Note on Package Quantity: The HD 25 split-headband architecture uses two (2) separate pads in total (one for each movable arm). If you are looking to completely refresh a severely worn or missing headband set on a single pair of headphones, ensure you adjust your cart quantity to 2 pieces.

How to Install the Replacement Pad: Peel the old, compressed pad off the plastic headband arch. Use a lint-free cloth lightly dampened with isopropyl alcohol to thoroughly clean away any old, sticky adhesive residue remaining on the plastic track. Once the plastic is completely dry, peel off the protective paper backing from the new 034346 pad, align it carefully within the headband's recessed guide track, and press down firmly along the entire length of the cushion to secure the bond.

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SKU: 66780523097

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4.2 ★★★★★
Based on 17 reviews
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Verified Purchase
William
West Palm Beach, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Grantham, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Boise, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
H
Verified Purchase
Here
Pawtucket, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Grantham, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 11, 2010

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