SKU: 76200549547

Tītoki - Classic Cloth Doll 15" Sewing Pattern

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Description

Tītoki - Classic Cloth Doll 15" Sewing PatternMeet Ttoki, a truly magical doll, looking to share adventures with a special child. Ttoki is a natural cloth doll who stands approximately 15" tall, with moveable limbs. Ttoki's hair is longer and individually stranded which creates a realistic head of hair that can be fully styled in multiple ways. Classic Cloth Dolls are named after our beloved native New Zealand trees, all of which grow in the surrounds of the T+T studio. Clothing is sold

Meet Tītoki, a truly magical doll, looking to share adventures with a special child. 

Tītoki is a natural cloth doll who stands approximately 15" tall, with moveable limbs.

Tītoki's hair is longer and individually stranded which creates a realistic head of hair that can be fully styled in multiple ways.

Classic Cloth Dolls are named after our beloved native New Zealand trees, all of which grow in the surrounds of the T+T studio.

Clothing is sold separately.

There is also a bundle of all 5 Classic Cloth Dolls here for the best value.

You will receive a clear, detailed tutorial including step-by-step photos.  No previous doll making, or embroidery experience required!  

Skill Level: Classic Cloth Dolls are suitable for someone who has used a sewing machine before and can accurately sew around tight corners. Embroidery experience is not required and is fully explained.

Classic Cloth Dolls are not a whip-it-up-in-an-evening project, rather there are lots of elements which can be done in a spare fifteen minutes here and there - so they do come together nicely.

Make old things new again! Twig & Tale patterns pair wonderfully with upcycled fabrics. Classic Cloth Dolls and their clothing uses very little fabric so look to gorgeous vintage garments and trims and precious fabric scraps for inspiration.

SUPPLIES

Natural yarn We used Moda Vera Merino Alpaca blend, shade 7713 (plum) Quick “n” Easy 100% lambswool super-bulky yarn (black). (Acrylic yarn will go fuzzy so is not recommended)

Upholstery weight thread - hair

Choose a colour similar to hair for attaching hair to head

Upholstery weight thread - skin

Choose a colour similar to the skin for attaching limbs to body

Stuffing

I like to use clean, carded wool, but you could use other forms of stuffing

Embroidery Floss

You can choose whichever colours you have on hand, however, we used:

  • Lid -DMC Black
  • Eye highlight -DMC White
  • Iris + Brow -DMC 3371 Black Brown
  • Nose-DMC 738
  • Lips-DMC 3726

Body Fabric

24” of 44” wide fabric (60cm of 115cm wide fabric) and a spool of co-ordinating thread. This will be enough for two dolls but you will need this amount in order to make one. You can use any skin coloured broadcloth, calico, linen or other tightly woven plain cotton material for the body

Other Supplies & Notions

  • Water erasable marker
  • Doll needles - approx 3 ½ inch (9 cm) and 7 inch (18 cm)
  • Small scraps of fusible interfacing to strengthen where the limbs are jointed.
  • Optional: Haemostats - for turning little things out and placing little bits of stuffing.
  • Optional: Rug Hook - very helpful for adding the strands of hair. Alternatively a crochet hook.
  • Optional: 4 plastic safety joints, depending on the jointing method you choose to use.
PRINTING INFO

This is a print-at-home PDF pattern and includes two printing options:

  1. US Letter/A4 - tiled and designed to print on your home printer
  2. Projector - specially-formatted and optimized for home projector use.   Read more about using our projector files here 

All pattern printing formats include “layers”, allowing you to print only the size(s) you need, or all of the sizes. 

FAQ

Q:  What is the difference between the 5 Classic Cloth Dolls?
A:  The 5 dolls have identical bodies, however across the collection you will learn differing methods of creating hair and practice stitching different facial features. There is a value bundle of all 5 dolls available here

Q:  Do you offer clothing patterns for the dolls? 
A:  Yes!  Clothing is sold separately. We have designed a selection of clothes patterns specifically sized to fit the 15" Classic Cloth Dolls.  The clothing patterns are sold separately here.  There is a clothing bundle too - to help ease the decision-making!

Q:  What clothing is Tītoki wearing in the photos? 
A: Pocket Dress and Slip-on Shoes.

Q:  Can I sell items made from the Classic Cloth Doll patterns?
A:  These dolls patterns are for personal use only.  Please do not sell items made from this pattern, or from a modified version of this pattern.

View pattern  FAQ   

BONUS RESOURCES 

 

CARE + SAFETY


Items made from Classic Cloth Dolls + their clothes sewing patterns are not suitable for children under the age of three.

These dolls are special and are not meant to be played with by unsupervised babies or small children who might swallow the small pieces of their wardrobes, or chew off an ear or limb.

The limbs may be attached with string which if came loose could pose a choking hazard.

The outfits for these dolls may also contain small parts such as shoes which could pose a choking hazard.

Adult supervision is always recommended and you should routinely check the items you have made for loose threads or signs of damage that could cause harm.

Shipping Notes
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Exchange/Return Notes
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  • To process your return/exchange, please contact us at [email protected]
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SKU: 76200549547

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Verified Purchase
AlanWarner
New York, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
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Carole T Emberton
Dallas, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
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pat delzell
Lowell, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
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B. Kirzner
Battle Creek, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
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V. Young
Alexandria, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014

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