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Description
GORGEOUS Large Quimper Tureen/Casserole | Minstrel Blue | SignedThis is a truly gorgeous piece of fiance. Handpainted, signed and in great condition. It's not every day you find Quimper beyond the traditional plates. Markings for the pottery known variously as the Grande Maison, de la Hubaudire or the HB factory have been posted in the photos. FREE UPS SHIPPING All sales final The western most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small
This is a truly gorgeous piece of fiance. Handpainted, signed and in great condition. It's not every day you find Quimper beyond the traditional plates.
Markings for the pottery known variously as the Grande Maison, de la Hubaudière or the HB factory have been posted in the photos.
FREE UPS SHIPPING
All sales final
The western-most part of the continent of Europe, this is a 1683 map of Brittany. Quimper is located to the left of center, above a small island and noted with its name at that time...Quimper-Corentin.
From OldQuimper.com
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
Quimper...pronounced "kem-pair"...is a town in northwestern France. It is also a people and a pottery.
To the people of Quimper, the town name is Kemper, which in their language describes a confluence of rivers. ("Quimper" is a somewhat nonsensical rendition as not all the Breton dialects have a "Q" and a true French pronunciation would be different from the actual "kem-pair"). At any rate, "confluence of rivers" is an apt description, as the town is situated at the juncture of two rivers, the Odet and the Steir. Two other rivers, the Jet and the Frout, are close-by, but travel underground through the town limits. Historically, this close proximity to rivers meant an ideal place to establish a pottery factory and thus, Quimper has been a pottery town for centuries. Its "recent" history of continuous pottery production begins in 1708. (Previous accounts put the date as 1690, but history is not written in stone and recent findings have provided further information).
By the last decade of the nineteenth century, three pottery factories were operating in the town of Quimper. One was the Porquier factory, another was known as the Grande Maison or De la Hubaudière factory, and the third, owned by Jules Henriot, was called the Faïencerie d’Art Breton. Tin-glazed earthenware, known in France as faïence, was a popular product, especially pieces that were hand-painted with scenes depicting life in the region of Brittany.
The making of faïence is an art. Especially in the early days, prior to the introduction of more modern methods, when both the technical and artistic skills necessary to make a piece of faïence were quite daunting. Extremely difficult to master its making, I've been known to liken faïence to being the "puff pastry" of pottery production.
The use of an opaque tin glaze is one factor that distinguishes faïence from other types of pottery...pieces made by this process were known as faïence in France, Spain, Germany, and Austria; in the Netherlands, they were called Delft; in England, the term was Delftware; and in Renaissance Italy, such pieces were called maiolica...not to be confused with majolica, that's actually a trade name of the Minton pottery in England for a Victorian-era product made using substantially different glazes and production methods.
The tradition of Quimper faïence production continues today. But much like the comparison of a Model T with a current Ford Motor Company product, today’s Quimper is very different from vintage Quimper. In many fields of collecting there is a line of demarcation; for Quimper pottery that line is World War II. Modern techniques and machinery introduced in the days after World War II resulted in the creation of a different product. Vintage Quimper refers to pieces made prior to that time period; later production falls into the collectible genre.
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4.2 ★★★★★
Based on 20 reviews
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Product Reviews
★★★★★ 4
Classy and sporty. Great value!
Color: Grey, Color: Grey
Excellent watch for the price. Looks sporty and dressy. More towards dress watch. Blue is dynamic. Strongly recommend blue for sporty feel. I was thinking of aqua terra. This come close to it with a price less than what i would have paid my state tax for omega aqua terra. My only concern is bracelet which i feel kind of OK. Better bracelet design would have made this watch much superior. 21 lug width is awful. Other than that, nothing to complain.
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Reviewed in the United States on July 13, 2020
★★★★★ 5
Stunning Gentleman's Watch
Color: Grey
This is my second Tissot watch. It's quite stunning in person. The online photos don't do it justice. It has the look and feel of a much more expensive gentleman's watch which makes this purchase a great bargain. Tissot is a great reliable Swiss made watch brand. My first Tissot watch which is probably more than 20 years old still runs great. Very pleased with this purchase.
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Reviewed in the United States on October 16, 2025
★★★★★ 5
Good Tissot Watch
Color: Grey
Arrived on time, in its original box, include a 2 year international warranty, into the box include a book with the Tissot brand history in Switzerland. Algo a second book with a whole catalog of Tissot watches men and women.
The watch looks better when you put in on your wrist. The “naval” blue really gives the clock a classy look. The stainless steel workmanship is really good, the metal is bright and perfectly polished. The metal wristband quality is very good, did not have any problem to adjust the size , I went to my preferred clock workshop for this job, they extracted a few pieces of the band to fit to my small wrist size. Have to get used to the butterfly latch, but after a few days, now I learned to open and close it without any effort. The clock it’s very accurate, I’ve been using my Tissot for near a month and it just increased a few seconds per week. I do the setup and check accuracy with my pc clock. In short, It”s a good value watch, nice, good looking, accurate.
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Reviewed in the United States on August 1, 2021
★★★★★ 5
Perfect everyday Watch
Color: Grey, Color: Grey
Super happy with this watch. It looks really clean and goes with pretty much anything dress it up or wear it casual. The blue face is fire in person and catches the light really nicely.
Feels solid on the wrist, not too heavy, and the quality is definitely there. I’ve been wearing it almost every day and it still looks brand new.
For the price, you really can’t beat it. Great everyday watch that looks way more expensive than it is. Would 100% buy again
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Reviewed in the United States on April 14, 2026
★★★★★ 5
Stylish and inexpensive
Color: Grey
Great watch. Came in quickly from seller. Got it sized at a local shop. It’s a pretty stylish watch for the price point. I don’t have big wrists but I still think the face could be a little bigger. But it’s pretty sleek and I’m happy
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Reviewed in the United States on August 24, 2023