SKU: 45890368838

Cascara Sagrada
Acts as a natural, herbal laxative

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Description

Cascara Sagrada<br>Acts as a natural, herbal laxativeThe Sacred Bark used by cultures around the world to support waste elimination and a clean, healthy colon. Supports the intestinal system Acts as a natural, herbal laxative 100 caps HOW IT WORKS Cascara sagrada, or sacred bark, is one of Natures Sunshines most popular and best selling herbal products. The bark has been used by cultures around the world as a nutritional support for proper waste elimination. Cascara sagrada acts as an herbal laxative,

The “Sacred Bark” used by cultures around the world to support waste elimination and a clean, healthy colon.

  • Supports the intestinal system
  • Acts as a natural, herbal laxative
  • 100 caps

HOW IT WORKS

Cascara sagrada, or sacred bark, is one of Nature’s Sunshine’s most popular and best-selling herbal products. The bark has been used by cultures around the world as a nutritional support for proper waste elimination.
Cascara sagrada acts as an herbal laxative, influences intestinal contraction and promotes the emptying of the colon.

OUR CASCARA SAGRADA

We work with experienced cultivators who have harvested cascara sagrada by hand for generations. Wild-crafted and sustainably sourced in the Pacific northwest, our cascara is harvested each year from mid-May to August from trees between 10-20 years old.  After harvest, the fresh cascara bark is ground into 3–4-inch sections and then kiln-dried to age before being ground again. Cascara trees flourish along coastal regions between British Columbia and northern California.

In fact, cascara trees naturally fill in logged off areas after timber companies cut down forests. The timber companies often replant with conifers, but Mother Nature does her own replanting with cascara to reestablish a more natural biodiversity as the forest regrows.

THE STORY BEHIND CASCARA SAGRADA (CAPSULES)

Since its discovery by Spanish settlers in the 1600s, Rhamnus purshiana bark has been used as a natural laxative throughout the world. Native American tribes shared this natural wonder with the Spaniards, who named it cascara sagrada, or “holy bark,” in honor of its effectiveness. By the late 1800s, cascara was being exported overseas. The explosion of its use eventually led to overharvesting in the 1900s. But this resilient species of the buckthorn family has made a resurgence, growing naturally throughout the Pacific northwest.
Through the early 2000s, cascara was included in many over-the-counter products in the US. And it’s still used throughout Europe, having been approved for use by the German Commission E. Ranking among our top-selling products domestically and internationally, Cascara Sagrada remains a popular choice for intestinal support the world over.

RECOMMENDED USE

Take 2 capsules/tablets with a meal once daily. 

NOTE: See your healthcare provider prior to use if: pregnant or nursing, any medical condition exists, or when taking any medication.
Read and follow recommendation carefully.
Not intended for prolonged use.
Do not use if diarrhea, loose stools or abdominal pain are present or develop.
Use of this product may worsen these conditions and be harmful to your health.
Chronic diarrhea can result in serious illness.

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SKU: 45890368838

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4.3 ★★★★★
Based on 11 reviews
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Verified Purchase
David R. Papke
Belleville, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
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Verified Purchase
DoubtfulReader
Alexandria, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Port Orchard, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
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J. Christian
Birmingham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Massapequa, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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