SKU: 24276413714

PHILLIPS, Tom. A Humument. Volume I[–X, with two volumes of additional material].

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PHILLIPS, Tom. A Humument. Volume I[–X, with two volumes of additional material].A New Hypnerotomachia Poliphili PHILLIPS, Tom. A Humument. Volume I[X, with two volumes of additional material]. London: Tetrad Press. 1970. Twelve volumes, loose in sheets as issued (largely initialled by Phillips in pencil, see below), printed by lithography, silkscreen, and letterpress. Each housed in its original coloured card box (c. 190. 5 x 139. 7 mm), vols IX with publishers printed spine label and the stamp (or sticker in the last instance)

A New Hypnerotomachia Poliphili

PHILLIPS, Tom. A Humument. Volume I[–X, with two volumes of additional material]. London: Tetrad Press. 1970.

Twelve volumes, loose in sheets as issued (largely initialled by Phillips in pencil, see below), printed by lithography, silkscreen, and letterpress. Each housed in its original coloured card box (c. 190.5 x 139.7 mm), vols I–X with publisher’s printed spine label and the stamp (or sticker in the last instance) of the Croydon College of Design and Technology Library to inside of lid; comprising ff. [428]; some wear to boxes, spine labels somewhat worn and frayed, boxes for vol. I and ‘misc. Spares’ sunned; contents in fine condition, with occasional light wear; a very well-preserved set; limitation leaflets to vols I–IX numbered in pencil; leaflet to vol. XI inscribed ‘for Andrew Crozier’ by the author.

First limited edition, signed by the artist, one of one hundred sets, of Tom Phillips’s Humument (1937–2022), his experimental modification and adaptation – through painting, collage, and cut-outs – of his copy of the 1892 novel A Human Doc-ument which he had bought for three pence in 1966, from the library of Phillips’s collaborator, the British Revival poet Andrew Crozier.

This so-called ‘treated work’ is the culmination of Phillips’s page-by-page metamorphosis of the text of Mallock’s Victorian novel, excavating its text ‘for new ambiguities of character and situation and new ironies and paradoxes of utterance [...] The version has its own characters who mingle with the protagonists of the original in a non sequential plot-structure within which the elements of music, philosophy, poetry and painting are fused together to make a true gesamtkunstwerk’ (prospectus). Using techniques suggest-ed by William Burroughs in a 1965 Paris Review article, Phillips used the book to draw out new meanings, commentary and suggestions.

Of the process of adapting Mallock’s text, Phillips writes: ‘Many rules have grown up in the course of the work. Although Mallock’s original hero (Grenville) and heroine (Irma) have their parts to play, the central figure of this version is Bill Toge (pronounced ‘toe-dj’). His adventures can only (and must) occur on pages which originally contained the words ‘together’ and ‘altogether’ (the only words from which his name can be extracted). He also has his own recurrent iconography; his insignia include a carpet and a window looking out onto a forest and his amoeba-like ever-changing shape is always constructed from the rivers in the type. His story, the Progress of Love, is a favourite neo-platonic topos and there are deliberate parallels with the Hypnerotomachia Polophili, the most beautiful of printed books, published in Venice in 1499.’

The bibliography of this first edition is complicated so that it is unclear what the exact con-tents of each box should have been; the possibility of confusion is hinted at by Phillips, who refers to having produced over twenty different versions of page 89 alone. As a leaflet for the project (included here in vols I to III) states, each fascicle ‘will consist of a selection of loose pages varying in number and chosen for their appropriateness to the printing medium used for that particular set’. Vols I, II, and IV here also have a sheet specifying the number of leaves and the method of printing, and vol. VI has a tipped-in slip of uncertain origin, where perhaps each box might originally have had one. In addition, every volume has a leaflet acting as a colophon, with volumes I to IX signed by Phillips and (except for vol. III) numbered out of 100 (the numbers mostly varying, and the eleventh volume, which was evidently a gift of the assorted additional pages, has been signed by Phillips with an inscription to the poet Andrew Crozier. Every page is initialled by Phillips except for those in the eleventh volume, the two coloured examples of page 209, and a third of the ‘misc. spares’ (of which a few are uncoloured, whether or not as intended, and one of which appears to have been overprinted in error). Some of those spares are signed rather than initialled.

There should be two parts to volume X; this set comes with an eleventh volume in a red card box without a spine label, holding 54 additional pages otherwise found across half of the regular boxes plus one page not found elsewhere. Excluding that eleventh volume, the set at that point included 309 pages of the book out of 368 (which total includes the end-piece, doubling as a dedication). Two pages appear twice across volumes I to X (although the page 173 in volume VI is different from the page 173 in volume VII) and three pages appear more than once within a box (with the two extra copies of page 209 being different from the third). Added to this initial set is an additional green box, annotated by the artist as ‘misc. spares etc’, which contains all of the remaining pages bar one (page 324) which is provided as a scanned copy).

Phillips was apparently unenthusiastic about the boxes, which he likely bought from a stationer’s, and which were not designed to provide a permanent home for the book. He hoped that people would have their copies bound, as some did, contributing to the rarity of this original presentation.

Provenance: Presented by the author to the British poet Andrew Crozier (1943–2008), Professor of Prose at the University of Sussex, winner of the 1976 Alice Hunt Bartlett Prize (awarded jointly to Lee Harwood), and co-editor of the highly influential British Revival anthology A Various Art.

It appears Crozier may have acquired the first ten volumes and was gifted the eleventh separately. In 1970 – the same year A Humument was published – Crozier’s Ferry Press published In One Side & Out the Other, a volume of poetry by Crozier and John James with wrappers and twenty-one illustrations by Phillips.

Contents:

Vol. I: in publisher’s green card box with printed spine label; ff. [10], screenprinted, initialled by the artist in pencil; with contents leaf and limitation statement (bifolium, printed on cream paper, numbered ‘vol. 1’ in pencil), numbered 74/100 and signed by the artist; spine and upper lid of box sunned, short split at foot of box, some wear to spine label.

Vol. II: in publisher’s red card box with printed spine label; ff. [20], printed letterpress, initialled by the artist in pencil; with contents leaf and limitation statement (bifolium, printed on mauve paper, numbered ‘vol. 2’ in pencil), numbered 38/100 and signed by the artist, with an additional two copies of the prospectus (bifolium) for the project loosely inserted; spine of box lightly sunned, slight wear to spine label; ink stamp of the Croydon College of Design and Technology Library to inside of lid.

Vol. III: in publisher’s yellow card box with printed spine label; ff. [9], initialled by the artist in pencil; with a copy of the prospectus (bifolium) and limitation statement (bifolium, printed on orange paper, numbered ‘vol. 3’ in pencil) signed by the artist but not numbered; slight discolouration to spine and soiling to box, spine label worn and peeling slightly; ink stamp of the Croydon College of Design and Technology Library to inside of lid.

Vol. IV: in publisher’s pale pink card box, printed spine label; ff. [20], initialled by the artist in pencil, printed by offset lithography; with contents leaf (printed on orange pa-per) and limitation statement (bifolium, printed on pale blue paper, numbered 12/100 and signed by the artist, front cover numbered ‘vol. 4’ in pencil); slight wear to spine label; ink stamp of the Croydon College of Design and Technology Library to inside of lid.

Vol. V: in publisher’s pale blue card box, printed spine label; ff. [20], initialled by the artist in pencil; with prospectus (bifolium, numbered ‘vol. 5’ in pencil) numbered 12/100 and signed by the artist; some spotting to interior of box; ink stamp of the Croydon College of Design and Technology Library to inside of lid.

Vol. VI: in publisher’s white card box, printed spine label; ff. [40], initialled by the artist in pencil; limitation statement (bifolium, printed on yellow-green paper, numbered ‘vol. 6’ in pencil) signed and numbered 27/100 by the artist with pasted-in (now loosely inserted) typescript note ‘this Volume contains 39 pages’; slight soiling to spine label; ink stamp of the Croydon College of Design and Technology Library to inside of lid.

Vol. VII: in publisher’s cream card box, printed spine label; ff. [50], initialled by the artist in pencil; with limitation statement (bifolium, printed on orange paper, numbered ‘vol. 7’ in pencil) signed and numbered 25/100 by the artist; slight wear to spine label; ink stamp of the Croydon College of Design and Technology Library to inside of lid.

Vol. VIII: in publisher’s cream card box, printed spine label; ff. [49]; with limitation statement (bifolium, printed on pale green paper, front cover numbered ‘vol. 8’ in pencil), signed and numbered 26/100 by the artist.

Vol. IX: in publisher’s blue card box, printed spine label; ff. [36]; with limitation statement (bifolium, printed on pink paper, front cover numbered ‘vol. 9’ in pencil), signed and numbered 21/100 by the artist; slight staining to interior and exterior of box, spine label lightly soiled; ink stamp of the Croydon College of Design and Technology Library to in-side of lid.

Vol. X: in publisher’s black card box, printed spine label; ff. [61]; with limitation statement (bifolium, printed on pink paper) not numbered or signed by the artist; paper label with ink stamp of the Croydon College of Design and Technology Library adhered to inside of lid.

Vol. [XI]: in publisher’s red card box; ff. [55]; with limitation statement (bifolium, printed on pink paper) signed and inscribed by the artist ‘for andrew crozier’; very slight sunning to exterior of box, lower edges slightly rubbed.

Vol. [XII]: in publisher’s green card box, lid lettered ‘numbered A–P | numbered 51/100’ in pencil, spine lettered ‘misc. Spares etc’ in ink; ff. [58]; with limitation statement (bifolium, printed on coral paper); exterior of box sunned.

SKU: 2125254

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4.3 ★★★★★
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K
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Kindle Customer
Birmingham, US
★★★★★ 5
🥺🤭🤍👏🏼
Format: Kindle
“My goal, once upon a time, was to succeed. I didn’t realize that success wasn’t grades or scholarships or achievements, but the people I was lucky enough to have in my life.” 👏🏼 I will say again I absolutely love this series. But Tucker’s southern drawl, patience, sweetness, and maturity level😍 this man is amazing! Seeing Sabrina character grow from unsure about love or trusting anyone. To falling for a guy that broke all those walls down for her. Ughhhh my heart!!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2026
R
Verified Purchase
Rebekah
Massapequa, US
★★★★★ 4
great book!
Format: Kindle
Great book! I loved the main male character. Storyline was pretty good. I would recommend it but don’t feel like it’s 5 stars.
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Reviewed in the United States on May 28, 2026
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JennaStrick
Natrona Heights, US
★★★★★ 5
Great couple!
Format: Kindle
This is my second read of this story. And I loved it then, and I loved it now. Tucker is super sweet but also sexy steamy. Sabrina is independent and feisty. But I loved how they brought out the others non dominant sides. They had great chemistry and although it wanted to shake Sabrina at times lol, Tucker is totally patient and such a great book boyfriend!
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Reviewed in the United States on May 28, 2026
L
Verified Purchase
Lenoreo @ Celebrity Readers
Waukegan, US
★★★★★ 4
LOVED Tucker!!
Format: Kindle
4 stars — I was actually most looking forward to Tucker’s story, and while I loved it, it didn’t end up being my favourite. Weird how that works right? Now as I fully anticipated, I LOVED Tucker. Like LOVE LOVED him. He was everything I was hoping for and more. I adored how he was this delicious blend of sweet, caring, genuinely good guy mixed with a delightfully dirty mind. I think that was the part that surprised me, though I’m not sure why. But damn, that boy had it going on!! And yet he was still so gentlemanly…god, I love that mix. And he was so freaking patient! Like, I couldn’t even believe it sometimes. He was almost too patient on occasion, b/c he wouldn’t push Sabrina at all, and maybe she needed a little push. But I loved how he could see through Sabrina’s bullcrap to the heart of her. And I loved how he didn’t let the curveballs throw him off his path, he stayed true to himself and wouldn’t make choices that he couldn’t be happy with when it came to his life. While I wasn’t surprised that I loved Tucker, I will admit that I was surprised I loved Sabrina too. I loved how driven she was, and how she put on that persona of being a witch with a b to keep people away, but underneath she was extremely vulnerable. I also thought that Ms. Kennedy did a great job of showcasing the challenges of poverty through her situation. She desperately wanted a better life, and she thought she knew exactly what that better life would look like. While both Sabrina and Tucker aggravated me with their stubbornness and wrong assumptions (it’s not my favourite trope), she took a bit longer than I wanted to figure stuff out. It’s not that I didn’t get that her family life and childhood damaged her, but she was being an idiot and I was sad that none of her friends woke her up. Another thing that bugged me was that, in my opinion, she was seriously emotionally abused, and I kind of wished that that had been addressed at some point. Her Nana was, quite frankly, awful to her, and her love felt very conditional. And the way Sabrina would excuse Ray’s behavior…well, I just wish that someone had told her that that’s not normal, and gotten her some guidance. Tucker and Sabrina were interesting together. Obviously they had amazing chemistry, and there were so many sweet moments that I just loved. But their relationship was a bit dysfunctional, and I felt like I needed a bit more near the end when things changed. I just would have appreciated learning a bit more about their motivations, or seeing more frank discussions between the two of them…it just felt like I didn’t understand why this time it was different, you know? The plot in this one flowed a bit differently for me, especially the second half. It just didn’t feel like the usual narrative structure I’m used to, with the build up to a conflict and climax. As I said, I kept waiting for the turnaround, but it just kind of snuck in there with a lot of little ups and downs. And can I also say that I hated the way Tucker’s Mom behaved? She was truly awful, and I’m not sure I ever fully understood her motivations, or what she was like, or how Tucker became who he was with that kind of mother. On the completely other side of it, I loved seeing the group interact again. I really love all those boys and the girls they fell in love with. I also really appreciated that Dean and Sabrina worked things out, but weren’t all buddy buddy. And as for other secondary characters, I loved Sabrina’s friends and seeing a bit more of some of the other hockey boys. I’m so excited to know we’ll be getting a bit more of some of them. So yeah, so much goodness in this one, just a few little niggles that made it not the hit out of the park I was expecting. But a seriously great end to a fantastic sports romance series.
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Reviewed in the United States on March 9, 2018
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Verified Purchase
DonnaC
Port Orchard, US
★★★★★ 3
John Tucker made this book
Format: Kindle
The Goal (Off Campus #4) by Elle Kennedy 3 stars!! “I’m not the girl for John Tucker, and I never will be.” After the bomb was dropped at the end of The Score I was more than eager for John Tucker’s story, he was a character that had always blended into the background and we never really got to know him throughout the other books in this series, but as they say, the quiet ones are often the worst. However, John Tucker was adorable in every sense of the word. He really surprised me in The Goal. He was one of the most loyal and loving guys out of all of them and had the patience of a saint to back it up and with Sabrina James he certainly needed it. But also, Tucker was as sexy as hell and had a filthy mouth, I never would have guessed it. For some godforsaken reason Tucker loved Sabrina, whereas some guys would have given up and run for the hills, Tucker was glutton for punishment, he took the punches, he took the rejection, but would he get a happy ever after? “Even if you hadn’t said you loved me back, I’d take whatever scraps you were willing to give me as long as I could be with you. I don’t give a s**t if that makes me pathetic-” Sabrina James, she was one cool customer who I just couldn’t warm up to. I admired her drive and determination, her focus on bettering herself but her treatment of Tucker just wound me up no end. She was the puppet master and she definitely pulled all the strings and led our Tucker on a merry dance. Her coolness and aloofness throughout just grated on my every last nerve. If Tucker was insincere I could understand it, but she knew deep down that she held Tucker’s heart in her hands and had no qualms about toying with his emotions. “It doesn’t matter how thin or thick anyone’s wallet is. We all hurt. We all love. We’re the same. And your past, who you live with, where you came from, it doesn’t have to matter. You’re creating your own future, and I want to see where the road forward takes you.” For me though, my biggest gripe with this book was pacing. This story runs parallel with The Score and so a chunk of the plot line was repetitive. I just felt that as situations were rehashed through someone else’s eyes it lost its impact and for me interrupted my reading mojo. If you are reading this as a standalone and have not read The Score, then this shouldn’t be an issue. The first half of the book was particularly slow for me, however, as everything hots up in the second half it pulled me back in. “My goal, once upon a time, was to succeed. I didn’t realize that success wasn’t grades or scholarships or achievements, but the people I was lucky enough to have in my life.” My heart definitely belonged to John Tucker in this book, this guy had a heart of gold, was the most loving and giving, he gave Sabrina everything she wanted and needed and yet she still kept him at arm’s length. He was forever trying to bore little holes into her life and heart to inch that little bit forward but she was an emotional fortress, it all seemed a little one sided. They get there in the end but she was definitely a tough nut to crack. “I can’t make a single decision. Not until Sabrina makes the most important one of all.”
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 27, 2016

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