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Description
Goblin Market**** Condition: BRAND NEW ISBN: 9781849946940 Format: With dust jacket Year: 2021 Publisher: Batsford Pages: 96 Description: The first in a new illustrated poetry series. The classic poem, Goblin Market (1862) by Christina Rossetti, tells the story of Lizzie and Laura, who are tempted by the fruit sold by the goblin merchants. In this fully illustrated and beautiful volume, illustrator Georgie McAusland brings the words and story to life. Breathing
****Condition: BRAND NEW
ISBN: 9781849946940
Format: With dust jacket
Year: 2021
Publisher: Batsford
Pages: 96
Description:
The first in a new illustrated poetry series. The classic poem, Goblin Market (1862) by Christina Rossetti, tells the story of Lizzie and Laura, who are tempted by the fruit sold by the goblin merchants. In this fully illustrated and beautiful volume, illustrator Georgie McAusland brings the words and story to life. Breathing new life into the Victorian tradition of illustrated poems, this book reads like a picture story book. The stunning illustrations illuminate and drive the narrative forward as in all good story books. It tells the tale of the two sisters drifting apart as Laura succumbs to the forbidden fruit sold by the goblins, but the bonds of sisterhood prove strong. The poem has fascinated for generations and been the subject of various interpretations. This illustrated version brings the words and story alive for a new generation.
Christina Rossetti is considered the foremost female poet of her time, and her poetry still resonates with women's lives today, as she entwines themes of sexuality, sisterhood, love and temptation in her work. All of these themes are encapsulated in Goblin Market. The book includes an introduction to the poem by novelist Kirsty Gunn, so all readers - for pleasure or study - can understand its riches.
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4.2 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003