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Romeo and JulietThis puzzle does not have an alternative 3D solution. To see our puzzles that have an alternative 3D solution please visit our Heritage 3D Series here. Disclaimer: Please note that piece count and puzzle size may vary slightly depending on which cut design is curated. We curate the cut design for each customer. You'll never receive the same cut design twice. Why Mosaic Puzzles are Different: Whimsical pieces that tell a story: Our puzzles are jam
This puzzle does not have an alternative 3D solution. To see our puzzles that have an alternative 3D solution please visit our Heritage 3D Series here.
Disclaimer: Please note that piece count and puzzle size may vary slightly depending on which cut design is curated. We curate the cut design for each customer. You'll never receive the same cut design twice.
Why Mosaic Puzzles are Different:
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Whimsical pieces that tell a story: Our puzzles are jam packed with interactive whimsy puzzle pieces. Whimsies are special puzzle pieces with recognizable shapes that narrate the story of the artwork you purchase, from depictions of people in love, animals in motion, or even to worldwide landmarks. If you flip the puzzle over you’ll see your whimsy pieces as a whole tell the story of the art of the puzzle.
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Curated cut designs: Our wooden puzzles are meticulously crafted one piece at a time by our world class designers. We ensure that each customer receives a unique cut design experience.
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Made in the USA: All our wooden puzzles are manufactured in our puzzle lab in Alpharetta, Georgia.
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Museum quality art: From classical to modern, Mosaic Puzzles redefines puzzle art like never before. These are puzzles you want to hang on your wall.
- Archive grade materials: Our puzzles are made from the highest quality wood with archive grade inks built to stand the test of time.
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4.1 ★★★★★
Based on 12 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003