SKU: 68384071924

WERNER MESCHEDE ‘KAISERKRONE’ (KAISER’S CROWN) BOTANICAL WALL TILE Nr. 7337 FOR MAJOLIKA KARLSRUHE

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Description

WERNER MESCHEDE ‘KAISERKRONE’ (KAISER’S CROWN) BOTANICAL WALL TILE Nr. 7337 FOR MAJOLIKA KARLSRUHEA beautiful majolica Kaiserkrone wall tile designed by Werner Meschede as part of his series of botanicals for MAJOLIKA KARLSRUHE between 1966 and 1978. WERNER MESCHEDE (19251981) was one of the most significant majolica designers of the 20th century. Born in Stuttgart in 1925, he studied under the tutelage of the ceramic artist Max Lager (18641952) and began work as a potter in Schorndorf, a small town near Stuttgart, after WWII. In 1958, Meschede

A beautiful majolica ‘Kaiserkrone’ wall tile designed by Werner Meschede as part of his series of botanicals for MAJOLIKA KARLSRUHE between 1966 and 1978.


WERNER MESCHEDE (1925–1981) was one of the most significant majolica designers of the 20th century. Born in Stuttgart in 1925, he studied under the tutelage of the ceramic artist Max Laüger (1864–1952) and began work as a potter in Schorndorf, a small town near Stuttgart, after WWII. In 1958, Meschede received his master’s from the State Academy of Fine Arts Stuttgart. He was soon hired by MAJOLIKA KARLSRUHE, and for many years he served as its director of screen-printing, producing architectural and garden ceramics as well, both singularly and in series. Screen-printing on ceramics allows for the efficient, mass production of items with a high degree of precision and vibrant colors. Meschede is well known for his botanical series of majolica wall plaques and tiles, as well as numerous lava-glaze vases, “crackled” items, and plates. Specific designs featured among the botanicals included:

  • Poppies (Mohn)
  • Sunflowers (Sonnenblumen)
  • Anthurium
  • Kaiser’s Crown (Kaiserkrone)
  • Snowdrops (Schneeglöckchen)
  • Amaryllis
  • King’s Lily (Königlilie)

MAJOLIKA KARLSRUHE (MANUFACTORY) was established in 1901 by Grand Duke Friedrich I of Baden (1826–1907), at the behest of its founders, artists Wilhelm Süs (1861–1933) and Hans Thoma (1839–1924). An “idyllic” spot was chosen in the Duke’s residential city, near the palace gardens, the nexus of princely power and artistic production—a connection immortalized for the plant’s 2001 centennial by the installation of a “blue ray” (Blauer Strahl in German), a path of blue majolica tiles, physically linking the palace tower to the factory.

Süs and Thoma sought to revive the “majolica,” or faience technique, where “tin” glaze is applied to earthenware and used as a canvas for intricate colored decoration. The glaze, in reality, is a lead one, rendered white and opaque with the addition of tin oxide. Majolica’s manufacture involves dipping items in the white glaze, allowing it to dry, and then painting on designs before a second, high-temperature firing. The initial focus was on producing ceramics in the Italian Renaissance style, a choice influenced by their shared background and Süs’s prior experience running a ceramics studio. Towards the end of the decade, a signature style emerged—elaborate compositions, often including cherubim, on blue backgrounds. Eventually, MAJOLIKA KARLSRUHE would become a mirror for 20th-century artistic movements, from Art Nouveau to Bauhaus.

A note on terminology: What is referred to here as “majolica,” after the German usage, is often called “maiolica” in English, to distinguish it from the Victorian-era, mass-produced earthenware that uses a clear, colored lead glaze applied over a molded relief body, fired only once. The confusion associated with these naming conventions is long-standing!

Following revolutionary unrest at the end of WWI, popular demands for the establishment of a republic forced Grand Duke Friedrich II to abdicate, a peaceful transition and a pattern seen across all other German states. With the establishment of the Weimar Republic in 1918, the new Republic of Baden took over former royal properties, including MAJOLICA KARLSRUHE. The formal name Staatliche Majolika Manufaktur Karlsruhe was adopted in 1927 to indicate state ownership.

Despite the specificity of its name, MAJOLIKA KARLSRUHE produced a wide range of artisan ceramics and was one of Germany’s leading ceramic producers generally. The quality of its work was excellent. Top designers before WWII included Ludwig König (1891–1974) and Max Läuger (1864–1952).

The factory was badly damaged by bombs in 1944 and did not return to the full-time production of decorative goods until the 1950s. By then, business had resumed much as in pre-war days, with both company-employed and freelance designers. One of the foremost post-war designers was Fridegart Glatzle (1920–2015), who joined MAJOLIKA KARLSRUHE in 1951. Over the next 30 years, she produced a huge range of designs; much of her work is highly collectible. Other designers of this period included luminaries Eva Fritz-Lindner (1933–2017) and Werner Meschede (1925–1981). The company provided its artists with their own studio space, commissioning their activity.

Most MAJOLIKA KARLSRUHE pieces bear the company’s name and symbol—the arms of Baden above a double-joined ‘M’ for Majolika-Manufaktur. Items are marked with a form number and, with exceptions in the late 20th, were made with red-orange clay. Product examples can be seen at the Badisches Landesmuseum in Karlsruhe.

The commercial production side of MAJOLIKA KARLSRUHE officially concluded its 123-year operating history at the end of 2024, with its final collection dispersed at a historic closing auction in early 2025. The site now primarily functions as a museum, hosting a foundation for the promotion of the ceramic arts.


Designer WERNER MESCHEDE
Manufacturer Karlsruher Majolika
Design Period 1960 to 1969
Production Period 1970 to 1979
Country of Manufacture Germany
Identifying Marks This piece has an attribution mark
Style Vintage, Mid-Century, Modernist
Detailed Condition Excellent — This vintage piece is in near original condition. It may show minimal traces of use and/or have slight restorations.
Product Code CRM-730771
Materials Ceramic, Stoneware
Color Blue, green, red, yellow
Width 28 inch 11.0 inch
Depth 3 inch 1.0 inch
Height 41 inch 15.8 inch


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SKU: 68384071924

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4.4 ★★★★★
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investor
Los Angeles, US
★★★★★ 5
Powerful, rechargeable battery, easy to use & clean
Color: Lux Absolute Silver, Size: Rechargeable Z1 Motor Max
2 speeds, easy to change back and forth to different speeds with one click , easily blends 1/4 cup protein powder in 12 oz milk on low speed. Easy to clean: Stick blending wand in tall glass with warm water + dish soap, turn on low speed to clean easily (don’t stick the part that holds the battery in glass). Also of note, chosen by Americas Test Kitchen as best milk frother but I use it to make protein shakes.
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Reviewed in the United States on June 5, 2026
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QuietLife33
Los Angeles, US
★★★★★ 5
Works great on bullet coffee!!
Color: Lux Alpha Black, Size: Rechargeable Z1 Motor Max
I am really pleased with this frother! Frothers I have used in the past didn’t mix my decaf coffee, 2% milk, and MCT oil as thoroughly as I like (oil and coffee separated). This frother blends everything AND I get a nice layer of frothy milk on top!!! Charge lasts a long and the froth can be submerged all the way up to the button!!!
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Reviewed in the United States on June 5, 2026
A
Verified Purchase
Animatus
Charlottesville, US
★★★★★ 5
Great upgrade compared to others
Color: Rechargeable with Storage Stand and Box - Black
This frother is far superior to other hand held versions we’ve owned. The attachments are much sturdier and don’t bend as easily (which made the others we’ve purchased quite useless). Rechargeable battery seems to last longer and provides plenty of power even on the lowest setting. The little wisk easily whips up eggs for a morning omelette and frothing cream and mixing powder into drinks are super easy with the other attachments. Finally, the stand is actually sturdy and balanced enough that it doesn’t easily tip over.
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Reviewed in the United States on May 4, 2026
S
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Susan Mather Barone
San Leandro, US
★★★★★ 5
Three froth/blend options, rechargeable, comes with container
Color: Rechargeable with Storage Box - Silver, Color: Rechargeable with Storage Box - Silver
I watch a gentleman online who always talks about how in his 40 years he didn’t know x, y, z, and ends with “ain’t no way.” He made this 3-ingredient — 4 with ice— iced coffee, and used a handheld frother, so after shopping for ingredients, I went in search of a frother. What I liked about this one is that it’s not battery operated, but instead is rechargeable. It comes with three attachment, one of which I can use for cake batter, whipping up eggs, making homemade whipped cream, and also sauces and gravy. It also has a case so I am storing it with my coffee paraphernalia. It has three settings and I used the high setting. As you can see it really froths up the ingredients. I’m very pleased with my purchase and thought about all the times I need a slurry of water and cornstarch to thicken soups and stews. I don’t know the charge life yet, but so far, so good. What you see in the cup is 2 tablespoons of sweetened condensed milk, 3 teaspoons of instant espresso, and 2 ounces of water. Then you add the ice and your creamer, half-and-half, or barista lover’s oat milk, and you’re done. Not too bad, as my grandpa used to say.
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Reviewed in the United States on May 9, 2026
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Nancy Byrd
Pawtucket, US
★★★★★ 5
Great product
Color: Rechargeable with Storage Box - Black
It’s great! Very powerful, even on low speed. Mixes fiber, and powdered mix-ins very well as well as frothing milk. Nice sturdy little case to keep the components in. Stays charged for a long time.
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Reviewed in the United States on June 5, 2026

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