SKU: 79872003813

Bowers & Wilkins 802 D4 Floorstanding Speakers (Pair)

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Description

Bowers & Wilkins 802 D4 Floorstanding Speakers (Pair)Bowers & Wilkins 800 Series Diamond. Excellence. Evolved. The worlds best loudspeaker range introduces all new industrial design plus a range of breakthrough technologies to set even higher standards for outright sound quality. How do you improve on the worlds most successful and iconic range of high end loudspeakers? Its a challenge that has occupied the past six years for the finest minds at SRE, home of the world renowned Bowers & Wilkins

Bowers & Wilkins 800 Series Diamond.

Excellence. Evolved.

The world’s best loudspeaker range introduces all-new industrial design plus a range of breakthrough technologies to set even higher standards for outright sound quality.

How do you improve on the world’s most successful and iconic range of high-end loudspeakers? It’s a challenge that has occupied the past six years for the finest minds at SRE, home of the world-renowned Bowers & Wilkins engineering team. Their solution is to combine continuous improvement of every component in each design with innovative and proprietary technology that re-imagines the fundamental basics of a conventional loudspeaker drive unit: introducing the new, unique and revolutionary Biomimetic Suspension.

The new 800 Series Diamond range is a like-for-like replacement of the outgoing series, featuring seven new models, beginning with the two-way 805 D4 stand-mount speaker. That’s joined by a series of three-way floorstanding models, including the 804 D4, 803 D4 and 802 D4. For the flagship model in the range, Bowers & Wilkins is pleased to reintroduce an iconic name to its portfolio, with the launch of 801 D4 to replace the existing 800 D3. For home theatre use, the HTM81 D4 and HTM82 D4 provide a pair of high-performance centre channel speakers to complete the range.

Every new model in the range combines hundreds of detail improvements plus several entirely new technologies to create the most transparent, detailed and natural-sounding series of loudspeakers Bowers & Wilkins has ever produced.

Refined Design

Refined, elegant cabinet proportions plus luxurious, premium detailing combine to make this the most premium 800 Series Diamond range yet.

The first and most obvious change is the addition of a fourth finish to the line-up. The new range now includes a Satin Walnut finish, joining the established selection of Gloss Black, White and Satin Rosenut.

Every stereo model in the range also enjoys a significantly upgraded cabinet design with an all-new rigid, cast aluminium top section – replacing the previous wooden version – to offer even greater stiffness and thus improve cabinet quietness still further. In a luxurious touch, the profile of the new aluminium top is finished in ‘Leather by Connolly’ – in black for dark cabinets (Black, Satin Rosenut) and light grey for lighter finishes (White, Satin Walnut).

Every model in the range adopts a revised version of the iconic Solid Body Tweeter-on-Top housing, with a new, elongated tube-loading system to produce an even more open sound for high frequencies. This supremely stiff enclosure deftly resists unwanted resonance and is an exceptional acoustic form – especially when combined with a new two-point decoupling system that isolates it from the rest of the loudspeaker more effectively than ever. As before, the Solid Body Tweeter is milled from a single solid block of aluminium and now, it uses an anodised finish, either dark or light depending on the cabinet colour, to celebrate that fact.

Finally, the range introduces three entirely new cabinet forms. The 805 D4 and 804 D4 stereo models adopt the reverse-wrap cabinet design first introduced in 2015 for the larger speakers in the series. This new form reduces the profile of each cabinet’s front baffle while dramatically increasing the overall rigidity of the complete system. It also allows crossovers to now be mounted in dedicated spaces on the rear of each speaker, housed behind the rigid aluminium spines.

The 804 D4 builds on the potential of its new configuration by adding a downward-firing port with an integral aluminium plinth – again, much like the form used by the larger floorstanding speakers in the range. Alongside the 805 D4 and 804 D4, the all-new HTM82 D4 centre speaker adopts the reversewrap cabinet form of its siblings, for superior acoustic and mechanical performance.

New technologies

Continuum Cone™, FST™ & Biomimetic Suspension

The result of an eight-year research programme, the composite Continuum Cone – used for both midrange and mid/bass applications – is already famed for its open, transparent, and neutral performance. When used as a midrange drive unit in Bowers & Wilkins floorstanding speakers, it is always combined with our Fixed Suspension Transducer (FSTTM) midrange technology, which carefully avoids the coloration that traditional cone surrounds can introduce.

Now, Bowers & Wilkins has combined the twin benefits of Continuum and FST with an all-new advance that transforms the other key element of a drive unit’s normal operation: the fabric spider. Over decades of continuous development to nearly all areas of speaker design, the fabric spider, a key element in the suspension of every conventional loudspeaker drive unit, has remained largely unchanged – until now.

The all-new composite Biomimetic Suspension replaces the conventional fabric spider with a minimalist composite suspension system that revolutionises midrange cone performance by greatly reducing unwanted air pressure – aka sound – that a conventional fabric spider can generate, removing its unpredictable, non-linear effects. The result is unprecedented midrange transparency and realism.

Decoupled Midrange & Turbine Head

Bowers & Wilkins combines all the performance-enhancing benefits of its Continuum Cone, FST midrange technology and Biomimetic Suspension with careful isolation of the complete midrange assembly from the rest of the surrounding cabinet. In all three-way models, midrange drive units include a highly stiff all-aluminium chassis featuring Tuned Mass Dampers (TMD) to quieten any resonance. These complete drive units and motor systems are then isolated on sprung-mounted decoupling mounts, further restricting the flow of vibration into the assembly.

Finally, 803 D4, 802 D4 and 801 D4 include the massively stiff all-aluminium Turbine Head enclosure for their midrange drive units, providing not only an outstanding acoustic form but also even better isolation – since the head assembly is itself further decoupled from the bass enclosure below.

The HTM81 D4 and HTM82 D4 introduce a new and similar concept but inside their cabinets: each centre-channel model now features an internal aluminium enclosure that provides a stiff, well-isolated housing for the midrange drive unit and its decoupling mechanism.

Solid Body Tweeter

To minimise the unwanted transfer of resonance into each model’s Diamond Dome tweeters, an exceptionally stiff enclosure is required. The new 800 Series Diamond introduces a revised version of the iconic Solid Body Tweeter housing; this continues to be machined from a solid piece of aluminium, but now it features an elongated form (almost 30cm/12in long) with a longer internal tube-loading system.

The new Solid Body Tweeter assembly is now decoupled from the speaker body or Turbine Head (depending on model) in two locations rather than one: this notably improves spaciousness and openness. At the same time, the tweeter’s motor assembly has been re-engineered to allow the drive unit to ‘breathe’ more effectively with no loss of performance. This combined with the longer tube results in a notable reduction in the resonant frequency behind the tweeter dome.

Reverse-Wrap Cabinet & Matrix™

Matrix has been a core Bowers & Wilkins technology for more than 30 years and has also been continually developed throughout that time. An internal structure of interlocking panels that brace the loudspeaker internally in all directions, Matrix helps to make speaker cabinets rigid, inert and quiet.

The 805 D4 and 804 D4 now feature the reverse wrap speaker cabinet previously reserved for the larger floor-standing 800 Series Diamond models. Each model now has a stiff aluminium plate on the inside face of its cabinet, bracing its baffle to all but eliminate resonance. Inside, both models also feature updates to their Matrix bracing, with thicker panels made from solid plywood rather than the previous MDF, further reinforced by aluminium bracing sections.

Every stereo model in the range also features the new cast aluminium top, replacing the previous wooden design, dramatically increasing the rigidity of the speaker enclosure. As before, drive units are housed in stiff aluminium pods mounted to the baffle of the speaker, while crossover units are fitted to equally stiff aluminium spines running up the rear of the cabinet. Finally, 801D4 introduces a steel plate in its base section around the port – again, all in the name of adding stiffness to the enclosure and further quietening its operation.

Aluminium Plinth

The result of advance computer modelling, the Aerofoil ConeTM is a composite bass cone with a varying thickness designed to offer maximum stiffness where it is most needed while preserving a low mass – thanks to its carbon-fibre skin and light syntactic foam core.

Alongside revised and optimised motor systems, each floorstanding speaker in the 800 Series Diamond range now fits its Aerofoil Cones with a new foam Anti-Resonance PlugTM , which serves to brace the voice coil and lower distortion as the cone moves through its operating range, ensuring even cleaner bass than before.

Together, all these advances deliver levels of performance that clearly transcend that of their illustrious predecessors. Available globally from September 1st, the new 800 Series Diamond is the finest range of loudspeakers Bowers & Wilkins has ever created.

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SKU: 79872003813

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4.0 ★★★★★
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Ryan of the East Coast
Lake Worth, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
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Kris
San Leandro, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
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Reviewed in the United States on December 23, 2025
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Alex Lamberd
Battle Creek, US
★★★★★ 5
One of the best Bat stories that I've read.
Format: Paperback
Coming off from The Long Halloween, Jeff Loeb and Tim Sale give us the sequel to their popular story tale in which we see Batman go at it with another year long mystery, while also giving us an origin story for the first Robin, Dick Grayson. After reading this book, I have come away having with even more love of the Dark Knight's mythology, while coming to see this as my favorite Batman story that I have read, even if it doesn't stand as well on its own. ON the narrative side of things, Loeb delivers a story fairly similar to the one he gave in The Long Halloween, though I feel this one is a bit more polished than Halloween was. Some have said that the retreading of plot structure have limited the way Loeb's later works are read, but I myself have no problem with it (for the most part), Loeb manages to do enough differently that you don't feel like you're reading the exact same story. The real big negative I'd have to give this graphic novel is that it really doesn't stand as well by itself than if you had read The Long Halloween. While I myself read that story before coming in to this one, I did see many connections that I would assume would through off any newcomers who hadn't read the prior story. But I will say that this is the story that had me invested the most emotionally. Without giving away any spoilers, that last page in the novel gave me such a cathartic experience that I really came to appreciate certain aspects of the Dark Knight's mythology, and how themes of loneliness were touched upon in a very genuine way. Looking at the art for the novel, Sale's work has improved much from The Long Halloween. I always mention in reviews concerning Sale that I was originally not a fan of his art, but after going through his work, you can't help but admire the level skill he manages to put in his drawings. There is a very big noir feeling in this novel (a plus for ) that is just delivered so well that any preferences in art I may have against Sale are put away in admiring the way he plays with lighting in the story. My biggest complaint for the art, which is a more of a personal thing really, is that I do not like the "pixie" costume they gave Robin (which is his default costume that many would associate him with). I have never really liked this costume, probably never will, but again, this is just me. Overall, I would say I really enjoyed the novel and would have to recommend it to any fans of the Batman (although I'd make sure you have read The Long Halloween first). This has come to be one of my most favorited Batman stories I've read, and I hope others will receive the same level of satisfaction that I have.
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Reviewed in the United States on April 22, 2014
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Logan Fogg
Los Angeles, US
★★★★★ 5
MUST READ
Format: Kindle
Best Batman! This and the long Halloween are peak! Listening and reading the dc high vol on spotify is amazing
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Reviewed in the United States on October 16, 2025
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Harrison Nowak
Birmingham, US
★★★★★ 4
Good sequel but not as good as the original.
Format: Paperback
Pretty good read only down side is it doesn’t quite live up to Long Halloween.
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Reviewed in the United States on February 18, 2026

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