SKU: 80705280831

Various Artists - Now That's What I Call 80s Dancefloor: Disco & Electro [2LP Purple & Pink]

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Various Artists - Now That's What I Call 80s Dancefloor: Disco & Electro [2LP Purple & Pink]NOW Music is proud to present the second in our ongoing series of vinyl compilations, NOW That's What I Call 80s Dancefloor. Each edition features an essential collection of tracks representing key genres from the incredible diversity that were all part of 1980's Dance music. This volume, featuring 29 tracks across 2 LPs, pressed on 1 Purple and 1 Pink vinyl, presents the best in DISCO and ELECTRO. Following the height of it's' popularity in the late

NOW Music is proud to present the second in our ongoing series of vinyl compilations, NOW That's What I Call 80s Dancefloor. Each edition features an essential collection of tracks representing key genres from the incredible diversity that were all part of 1980's Dance music. This volume, featuring 29 tracks across 2-LPs, pressed on 1 Purple and 1 Pink vinyl, presents the best in DISCO and ELECTRO.

Following the height of it's' popularity in the late 1970s, Disco in the early 1980s retained the irresistible melodies and beat but became primarily synth driven. The era saw some of the genres' biggest hits including this collections' opener 'Flashdance... What A Feeling' from Irene Cara - this theme from the film 'Flashdance' was not only a massive selling single, but the song also won multiple awards including an Academy Award.

Lipps Inc. produced a timeless hit with 'Funkytown', and Shalamar with 'A Night To Remember', Odyssey with 'Use It Up And Wear It Out' and Indeep's 'Last Night A DJ Saved My Life' were all huge commercial Disco hits. Disco royalty Nile Rodgers and Bernard Edwards of Chic feature here in their roles as producers and writers with Diana Ross's massive hit 'Upside Down', 'Why' from Carly Simon, and the peerless 'Spacer' from Sheila & B. Devotion and in 1984 remixed Sister Sledge's 'Lost In Music' which became a massive hit again and is included here in it's full 12" version.

Amii Stewart's classic version of 'Knock On Wood' was remixed and a hit again, Donna Summer enjoyed huge success with 'She Works Hard For The Money', and other established Disco superstars celebrated returns to the charts with an 80's Disco sound including, and featured on this collection, KC & The Sunshine Band, Patrick Cowley feat. Sylvester and Evelyn "Champagne" King. The prevalence of the synth in the 1980s gave rise to new and exciting sounds and to tracks that were created with fusions of genres. On this collection we are celebrating 'ELECTRO' - a sub-genre of Electronic Dance music that combined elements of Disco, Funk and Hip-Hop and featuring a heavy synth backing, and the commercial Electro-Pop hits it produced. In 1984, Chaka Khan who had achieved huge success with the Disco classic 'I'm Every Woman', had a worldwide smash with a cover of Prince's 'I Feel For You' which combined Disco, Funk, R&B, Synth-Pop and Hip-Hop - to stunning effect. Also a hit in 1984, Jimmy Jam and Terry Lewis produced a classic fusion of Disco, R&B, Funk and Synth-Pop for the S.O.S Band with 'Just Be Good To Me' and also included here are hugely influential Electro-Pop gems from Freeez, Rockers Revenge feat. Donnie Calvin, Malcolm McLaren, Break Machine, and Rock Steady Crew. In the latter half of the 80s, Disco and Electro-Pop continued to evolve and fill dance-floors.

Taking influences from both genres, Expose and Company B enjoyed 'freestyle' hits and DJ, remixer and producer Jellybean had a string of hits including 'Just A Mirage', and Whitney Houston became a global superstar. One of her signature tracks 'I Wanna Dance With Somebody (Who Loves Me)' serves as a stellar example of how Dance music had evolved through the decade and remained as vital and uplifting as ever.

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SKU: 80705280831

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Kimberly G
Omaha, US
★★★★★ 5
delightful read
Format: Kindle
What a delightful read. The characters are awesome, the plot was so good, I loved it. I was intrigued and it kept me wanting more. Told in multiple pov, the book sucks you in and doesn’t let go. I cannot wait to read the next book.
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Reviewed in the United States on January 30, 2025
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Kimberly B
Boise, US
★★★★★ 4
not bad
Format: Kindle
I loved the plot of this book. The characters just didn’t have a lot of depth. The connections and “love” just weren’t communicated very well in the writing. The author didn’t write the sweet psycho trope very well at all either. Lachlan was just a mess of a character.
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Reviewed in the United States on November 17, 2023
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Carmen Alicea
Waukegan, US
★★★★★ 5
A Beta Worth Rooting For
Format: Kindle
In Spare, Violet Fox flips the omegaverse on its head, giving us a Beta heroine determined to make her mark. Joining the Beta Trials to support her sick father, she's thrown into a pack that doesn't want her, especially the possessive Alphas. But here's the twist: their sweet Omega turns out to be her scent match. Cue the angst, forbidden tension, and a slow-burn romance that will make your heart ache in the best way. Violet Fox delivers an emotional, refreshing take on the genre, proving Betas aren't "spares." They're stars.
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Reviewed in the United States on January 10, 2025
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C. Hunter
Birmingham, US
★★★★★ 5
Beta, Alpha, Omega oh my!
Format: Kindle
Omegas are precious and given to Alphas & their packs... but the Betas want in too. To this end, the Beta government is rolling out its trial of assigning a Beta to each Alpha-Omega pack. But forcing a Beta into a pack where they are not wanted will not end well... Of course, no one expected the Omega to fall for the assigned Beta. Great read and cliffhanger
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Reviewed in the United States on February 15, 2025
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B. Stubby
Belleville, US
★★★★★ 3
A familiar story, just with…..less.
Format: Kindle
So, as other reviewers make clear, this is very similar to Pack Darling and The Beta. It’s much closer aligned with The Beta, in plot and maybe more like Pack Darling with characters. That being said, I don’t hate this…..but it wasn’t great either. It’s both books mentioned but just….less. Less angst, less emotion, less feeling. The plot feels very half fleshed out, and the “bad guy” feels underwhelming. I didn’t really feel any real emotions from and of the male leads, except maybe Oliver. The others fell sorta flat for me. And Mika makes herself out to be this big bad ass straight outta training and then we never see it from here again with the one fitting room incident as the exception. SPOILER: The whole, “Oh, I’m actually probably an Omega, but I don’t wanna be but I do actually wanna be but no one can ever know my secret that I do nothing to hide “ thing fell so flat. She never commutes to believing she was secretly an omega, but also mentions her “secret” a lot. It just felt so manufactured. I’m intrigued enough to read part 2 and see how the author closes everything out, but this is not one I’ll recommend or ever come back to.
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Reviewed in the United States on February 13, 2024

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