SKU: 81910257949

Phelimuncasi & Metal Preyers - Izigqinamba

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Description

Phelimuncasi & Metal Preyers - IzigqinambaJesse Hackett returns with another unclassifiable co mingling of genres, this time made in collaboration with Durban based gqom trio Phelimuncasi. The group met up in Nyege Nyege's Kampala studio last year, spending three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time stretched electronic drums, saturated noise and unstable synths. We last heard from

Jesse Hackett returns with another unclassifiable co-mingling of genres, this time made in collaboration with Durban-based gqom trio Phelimuncasi. The group met up in Nyege Nyege's Kampala studio last year, spending three days engineering a sequence of tracks that turned the acts' respective sounds inside out, stretching urgent vocals over mutating backdrops of time stretched electronic drums, saturated noise and unstable synths. We last heard from Hackett on last year's chilling 'Shadow Swamps', a chilly, surrealist blast of disembodied folk folk and vintage electronics that added a cinematic twist to industrial music. Phelimuncasi meanwhile followed their acclaimed debut with the enormous 'Ama Gogela', asserting their dominance with tight, dancefloor-fwd, hook-led jams produced by some of the scene's most important beatmakers. In collaboration, both Metal Preyers and Phelimuncasi materialized a few worlds outside their comfort zones, with the Durban trio's words frothing from Hackett's marshy productions like echoes from another universe. Opening track 'Gidigidi ka Makhelwane' erupts in a fizz of beatbox percussion that loops noisily alongside Makan Nana, Khera and Malathon's stirring vocals, delivered in their local isiZulu tongue. Hackett's process is relatively restrained, offering Phelimuncasi the space to work their rousing magic unimpeded and adding punctuation where necessary. But when he takes more of a destructive role, it's just as impressive: on 'Gqom slowgen Chant', he corrupts his rhythm into a ritualistic pulse, letting the trio's words melt into metallic clicks and nauseous atmospheres. Elsewhere on 'Mgiligi wableka', Phelimuncasi's words create a rousing rhythm against a low-n-slow gqom thud from Hackett, and on 'Coffin Roller' he brings to mind '80s video nasty soundtracks, toying with analog synth sequences against Makan Nana, Khera and Malathon's distant chants. 'Like A Corpse' might be the album's most hollowed-out banger, turning the beat into a chopped 'n screwed drag that scrapes clamorously against Phelimuncasi's gurgling raps. Needless to say, there's nothing else like this.

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SKU: 81910257949

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Calm Cream for Redness
This naturally plant based eczema cream is really calming on my skin, and it feels lovely with no irritation from using it. The texture color was kinda new to me due to the color of how it looked when I opened it (you really can't tell it's cream),but It didn't bother me anymore after I started applying it on my skin and started smelling the loving aroma it had to it. It resembled that of a calming Shea Cocoa butter mixed with a hint of fresh oats. unfortunately it didn't last long though(1-2 minutes after applying). Since using this cream my skin has been fully moisturized and calmed with no itching. Now though my skin gets irritated occasionally due to changing weather, I can't fully say it helps clear up my flare-ups entirely. What I can say is that for me since applying this on my red spot areas, it has kept the itch at bay considerably and made the skin smooth to boot. So I will continue using this cream and hopefully through time it will fully clear up.
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Liquify when warm
I love the face lotion. The other is sticky and just kinda sits on top of the skin.
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