SKU: 83096204858

Gibson 1942 Banner Southern Jumbo Vintage Sunburst

$2122.62 $2358.47
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Description

Gibson 1942 Banner Southern Jumbo Vintage SunburstFrom Gibson's Acoustic Custom Shop, the 1942 Banner Southern Jumbo is an impressive instrument in every respect. This vintage vibe acoustic comes together with a Thermally Aged Adirondack red spruce top and rosewood back and sides. Together, these woods produce rich and refined acoustic tones that hearken back to original Gibson acoustics of the originating eras. A rosewood fingerboard and "C" shaped mahogany neck make the Southern Jumbo effortlessly

From Gibson's Acoustic Custom Shop, the 1942 Banner Southern Jumbo is an impressive instrument in every respect. This vintage-vibe acoustic comes together with a Thermally Aged Adirondack red spruce top and rosewood back and sides. Together, these woods produce rich and refined acoustic tones that hearken back to original Gibson acoustics of the originating eras. A rosewood fingerboard and "C"-shaped mahogany neck make the Southern Jumbo effortlessly playable from lower to higher frets, producing iconic Gibson tones no matter where your hands land. The period-correct stylings of this guitar make it a standout, as if picked straight from Gibson's original lineup. With the proud slogan "Only a Gibson is Good Enough" emblazoned on the headstock, Gibson's legacy is as outstanding as ever even generations later.

  • Thermally-aged Adirondack red spruce top
  • Rosewood back and sides
  • Rosewood fingerboard with nineteen Legend Wire frets
  • C-shaped mahogany neck
  • Bone nut, saddle, and bridge pins
  • Period-correct Gibson hardshell case
Shipping Notes
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  • Except Preorder products are shipped in 48 hours.
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 83096204858

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4.0 ★★★★★
Based on 17 reviews
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Stephanie Kelly
Dallas, US
★★★★★ 5
Silly little book
Format: Hardcover
My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 29, 2026
K
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Keri
Pawtucket, US
★★★★★ 5
Great book
Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
S
Verified Purchase
Samantha Laubenstine
Draper, US
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
A
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Ashley Mandrell
Cuba, US
★★★★★ 5
Good buy
Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
D
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Don Morris
Los Angeles, US
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022

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