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Rigid Industries 20in SR-Series Dual Function SAE High Beam Driving LightOff road auxiliary lighting is one thing, but everyone knows that it is important to have lighting that is also safe and legal for on road use. RIGID SAE Compliant street legal Fog Lights and Auxiliary High Beam Driving Lights allow them to be used on the road and not just off road. RIGID created the proprietary output spread and height with the new patented optic system. The color temperature of these LEDs was carefully chosen to be a perfect range
Off-road auxiliary lighting is one thing, but everyone knows that it is important to have lighting that is also safe and legal for on-road use. RIGID SAE Compliant street legal Fog Lights and Auxiliary High Beam Driving Lights allow them to be used on-the-road and not just off-road. RIGID created the proprietary output spread and height with the new patented optic system. The color temperature of these LEDs was carefully chosen to be a perfect range of pure daylight to penetrate the night for superior clarity on the road. These SAE Compliant lights project long-range high intensity light while drawing very little power and provide up to 50,000 useful hours. Available in many housing sizes, including SR-M, SR-Series single row, E-Series double row and D-Series pods. As an added function, the 20 and 30 Inch SR-Series SAE LED light bars offer a bold backlit RIGID branding plate. This feature can be run independently, or in tandem with the forward projecting LEDs. The low-profile optic design, advanced engineered heat sink, durability and the highest quality of strength of a polycarbonate lens is the ultimate solution for your street-legal lighting needs in North America. Own The Night with RIGIDs street legal LED lights.Shipping Notes
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4.3 ★★★★★
Based on 11 reviews
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Product Reviews
★★★★★ 4
Another Great Entry In This Series!
Format: Hardcover
See video for review.
(For a full flip through and in-depth review, follow the Youtube link on my Amazon profile).
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Reviewed in the United States on April 10, 2018
★★★★★ 3
for Simpson fans
Format: Hardcover
If you're a fan of the Simpsons' neighbor, this will certainly tickle your funnybone. Good old left-handed Ned tells and shows all, God bless him.
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Reviewed in the United States on April 20, 2009
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003